Australian Woodcuts and Linocuts of the 1920s and 1930s
Melbourne, Sun Books Pty Ltd, 1976. Front cover art by Margaret Preston. More
Melbourne, Sun Books Pty Ltd, 1976. Front cover art by Margaret Preston. More
Melbourne, Women's Committee of the National Trust of Australia, 1976. More
Barcelona, Ediciones Poligrafa, 1976. Preface by Harold Rosenberg. With numerous illustrations (some in colour). More
Geneva, Éditions Gérald Cramer, 1976. Number 427 of 1200 copies of the standard edition of this catalogue raisonné of monotypes (numbers 168-308). The first volume, containing numbers 1-167 from the period 1961 to 1965, was published in 1966. More
Norwood, Sydenham Gallery, 1976. Number 984 of 1500 copies signed by the author. More
London, Secker & Warburg, 1976 (first UK edition). A fully-illustrated catalogue raisonné of 353 artworks. More
London, Hutchinson, 1976. When the book was published, the collection, formed over a period of sixty years, was 'the least known and least published of the great collections made this century (Oldman, Beasley, Fuller and Hooper) and the last to remain in private hands... (Hooper's) particular love was for the..... More
Camperdown, Aboriginal Arts Board of the Australia Council, [circa 1976]. Catalogue to accompany the exhibition of the same name at the Macleay Museum, 29 March 2001 to 30 January 2003. More
Melbourne, Lansdowne Press, 1976. Inscribed, dated (1981) and signed in ink by the artist on the title page. Introduction by Bruce Petty. More
West Melbourne, Nelson, 1976. An abridged version of 'Love Songs of Arnhem Land'; however, the plates are reproduced here in colour. More
Birregurra, Compendium Pty Ltd, 1976. A lengthy inscription by Neil Douglas on the front free endpaper is signed by him and the author as well. 'There are those who like their Beauty fashionable, classic, ordered, tame, 'Beautiful', civilised, sophisticated, universal. There are those who like their Beauty wild, careless of..... More
New York, Harper & Row, 1976 (first US edition). Botticelli's 92 surviving drawings for the 'Divine Comedy' (each one illustrating a canto) are reproduced, 'only slightly reduced in size for the sake of the reader's convenience' (from the dustwrapper blurb). More
New York, Clarkson N. Potter, Inc., Publisher, 1976. More
Melbourne, Thomas Nelson (Australia) Limited, 1976 (third impression)/ 1969. A second volume was published in 1978. More
London, Orbis Publishing, 1977. More
Chicago, Art Institute of Chicago, 1977. Annotated pictorial catalogue of the important exhibition held in Chicago from 16 July to 30 October 1977. More
Adelaide, [The Author], 1977 (first edition). Signed - with a small self-portrait - by the author. More
Leningrad, Aurora Art, 1977. More
Oxford, Phaidon, 1977. With the pencilled ownership signature of Keith (Woodward, Fine Art Dealer). More
London, Marlborough Fine Art, [1977]. With a pithy introductory explanation by the artist, this catalogue (Number 360) illustrates all 45 paintings in colour, some full page. More
London, Fischer Fine Art Limited, 1977. More
Brighton, Teredo Books, 1977. 'With 236 illustrations'. More
Adelaide, Art Gallery of South Australia, 1977. More
Kuala Lumpur, Oxford University Press, 1977. A few Art Gallery of SA stamps. More
London, David Black Oriental Carpets, 1977. More
Barcelona, Ediciones Poligrafa, 1977 (first edition). 216 illustrations (62 in colour). More
Berlin, Gebr. Mann Verlag, 1977. Essential reference to French and Belgian poster art with brief biographies of the artists. Text in French and German. The colour card dustwrapper can be unfolded into a poster. More
Canberra, Gallery Huntly, [c.1977]. 'This catalogue contains the etchings and aquatints completed by Michael Ayrton shortly before his death in 1975, as well as the earlier etchings'. More
Adelaide, Rigby, 1977. Number 909 of 1001 copies of the deluxe edition signed by the artist. More
Geneva, Skira/ Macmillan, 1977. '68 reproductions in full colour and 340 black and white illustrations'. More
London, Paul Elek, 1977. More
London, John Murray, 1977. A contemporary newspaper review of the book in the 'Illustrated London News' is loosely inserted. More
Fribourg, Office du Livre, 1977. Number 646 of 1850 copies, this being one of 1680 copies of the standard edition, complete with three original lithographs. A catalogue raisonné of the artist's graphic works. More
Rome, Collegio San Clemente, 1977 and 1978. The first volume is inscribed 'Finalmente! 23.xi.1977. San Clemente, Roma' by its sole author, scholar and palaeographer Leonard Eugene Boyle OP OC, later Prefect of the Vatican Library (1984-1997). More
Melbourne, Sun, 1977. Signed by the author on the title-page, and by the former owner, Christobel Mattingley, on the verso of the front cover. More
Adelaide, Rigby, 1977. Number 428 of 1001 copies signed by David Heysen, the artist's son. More
Seoul, National Museum of Korea/ Samhwha Publishing Co., 1977. 'This special exhibition is a kind of interim report on the excavation' (from the introduction by the Director of the National Museum of Korea, Sunu Choi. A bilingual catalogue, with 25 pages in English (including the list of detailed captions to..... More
London, Robin Garton, 1977. The three original etchings by Robin Tanner (all signed in pencil) are 'Wren and Primroses' (a vignette on the title page), 'Full Moon', and 'The Old Road' (both full-page). There is a short chapter on 'The Australian School of Etching' (two pages of text plus 14..... More
Danbury, Addison House Publishers, 1977. Photographers include Susan Sontag and Frederick Wiseman. More
Phoenix, The Artist, 1977. Surrealist photocollages of nudes in American landscapes. The accompanying text is equally surreal, and we presume that the contributors - such as Amy Abletung (D.Symb.) of the Center for Creative Symbology, Mount Grundy, Iowa - are fictitious. More
London, Thames and Hudson, 1978/ 1974 (revised edition)/ 1964. More
Leigh-on-Sea, F. Lewis, 1978. More
London, Duckworth, 1978. More
London, Thames and Hudson, 1978. With the ownership signature of [Professor] Heinz Kent. More
Adelaide, Rigby, 1978. More
[No Place], Tabard, 1978. More
Sydney, John Brackenreg at the Australian Artist Editions, Artarmon Galleries, 1978 (first edition). More
London, Constable, 1978. More
San Francisco, Alan Wofsy Fine Arts, 1978 (revised edition)/ 1910. 'Whistler produced 448 etchings, all of which are described in this volume. This new edition contains reproductions of 446 of the etchings, including 25 in two states. Fourteen of the etchings are reproduced here for the first time' (dustwrapper blurb)..... More