BRUNEAF. Brussels Non European Art Fair 25. 10 - 14.06.2015
Brussels, BRUNEAF, 2015. Exhibition handbook. With the advertising flyer (with a colour map of the fair on the verso) loosely inserted. Text in French, English and Dutch. More
Tribal and Ethnographic Art
The Last of the Maasai
London, The Bodley Head, 1987. Foreword by Elspeth Huxley. More
Primitive Art. Pre-Columbian, North American Indian, African, Oceanic
New York, Harry N. Abrams, Inc., 1979 (first English language edition)/ 1967. Not least, the 55-page chapter 'The Art of Oceania' by Hans Nevermann. More
Fine Early Aboriginal and Oceanic Art. Sydney, Monday 18 August 2008
South Yarra, Mossgreen Auctions, 2008. Auction catalogue. Lots 1 to 259, early Aboriginal art. More
Fine Early Aboriginal and Oceanic Art. Sydney, Sunday 29 August, 2010
South Yarra, Mossgreen Auctions, 2008. Auction catalogue. More
Important Aboriginal Art. Melbourne, 25 March 2009
Melbourne, Deutscher and Hackett, 2009. Auction catalogue. Lots 1 to 265. Important Aboriginal Art and selected Oceanic Artefacts. More
![Item #135240 Aboriginal Art. Melbourne, Monday 26 July 2004. Part I [and] Tuesday 27 July, 2004....](https://treloars.cdn.bibliopolis.com/pictures/135240_01.jpg?width=320&height=427&fit=bounds&auto=webp&v=1690162982)
Aboriginal Art. Melbourne, Monday 26 July 2004. Part I [and] Tuesday 27 July, 2004. Part II
Armadale, Sotheby's Australia Pty Ltd, 2004. 'Other highlights from the auction include rare and important 19th century drawings by William Barak and Tommy McRae [and] a remarkable group of four ink drawings depicting a tribal battle by Victorian artist Tommy McRae' (from Klingender's introduction). More
Important African and Oceanic Art Auction. No. 645, June 7, 2007
Dallas, Heritage Auction Galleries, 2007. With related ephemera, including the bid sheet, loosely inserted; some prices realised inscribed in ink. Not least Papua New-Guinea and Aboriginal. More
Kunst und Kunsthandwerk aus Newguinea
Coburg, Natur-Museum Coburg, 1986. Text in German. More
Art of the First Australians. An Exhibition of Aboriginal Painting, Sculpture and Artefacts of the past Two Hundred Years
Camperdown, Aboriginal Arts Board of the Australia Council, [circa 1976]. Internal evidence suggests this is a catalogue produced to accompany an exhibition that travelled to the USA during America's bicentennial year. More
Korwars and Korwar Style. Art and Ancestor Worship in North-West New Guinea
Paris, Mouton & Co., Publishers, 1968. 'Art in its Context. Studies in Ethno-Aesthetics edited by Adrian A. Gerbrands. Museum Series: Volume 2.' This study 'is concerned with the area of the Geelvinkbay in the Western part of New Guinea [Indonesian West Irian], and mainly with one kind of object, the..... More
Easter Island, Earth Island
London, Thames and Hudson, 1992. 'In an explanation with ominous implications,' Easter Island, Earth Island' combines a wealth of new archaeological evidence, intriguing folk memories and the records of Captain Cook and other early explorers, to reveal how the island's decline may stem from ecological catastrophe' (from the blurb). More
Wisdom of the Mountain. Art of the Ömie
Melbourne, National Gallery of Victoria, 2009. Contributions from Drusilla Modjeska and Alban Sare. This catalogue accompanied an exhibition held at the NGV from 27th November 2009 to 21st March 2010. More
Africa. Tribal Art of Forest and Savanna
London, Thames and Hudson, 1980. 'Over two hundred treasures of art, drawn from private collections and never before made available to the public, have been superbly photographed by the collector, Arnold Bamert' (dustwrapper blurb). More
Land of the Morning. Treasures of the Philippines
San Francisco, The San Francisco Craft and Folk Art Museum, 1995. Exhibition catalogue. More
Islands and Ancestors. Indigenous Styles of Southeast Asia
New York, The Metropolitan Museum, 1988. More
Oceanic and Indonesian Art. Collector's Choice. An Exhibition
Sydney, Oceanic Art Society/ Crawford House Publishing, 1998. Exhibition catalogue for the Oceanic Art Society's inaugural exhibition. Contributor's copy (see pages 14 and 65); a small sheaf of related ephemera is loosely inserted, including two invitations to the exhibition and two copies of the works displayed. More
Shire Ethnography. [Four volumes, comprising Betel-chewing Equipment of East New Guinea; Art and Decoration of Central New Guinea; Cook Islands Art; and Arts and Crafts of Torres Strait]
Aylesbury, Shire Publications Ltd., 1988, 1988, 1990 and 1989. Numbers 8, 5, 18 and 10 in the Shire Ethnography series. More
The Australian Aboriginal Heritage. An Introduction through the Arts
Sydney, Australian Society for Education through the Arts/ Ure Smith, 1978 (second, amended and corrected, edition)/ 1973. With a one-page foreword to this edition by Ronald Berndt (who has also added references which bring the book up to date). Aside from the editors, contributors include Catherine H. Berndt, Catherine Ellis..... More
Aboriginal Australian Art. A Visual Perspective
Sydney, Methuen Australia, 1982 (first edition). More
The Power of Headdresses. A Cross-Cultural Study of Forms and Functions
Brussels, Tendi, S.A., 1984. The edition was limited to 2000 numbered copies; this copy is unnumbered and out of series. More
Art in North-East New Guinea
Budapest, Publishing House of the Hungarian Academy of Sciences, 1961. The author was Director of the Ethnographical Museum of Budapest; translated by Eva Racz. More
Art of Indonesia
London, Academy Editions, 1973 (first English edition). The author was Director of the Ethnographical Museum of Budapest; translated by Eva Rácz. More
Le Peigne dans le Monde
Paris, Hoëbeke, 2004. Text in French. More