Adelaide, Adelaide City Council, 1988. A limited edition portfolio (number 52 of only 60 published), with each lithograph, 'Printed on Magnani paper, 310 gsm', signed and numbered by the respective artist. Titles are (in order of artist) 'Parklands, North Adelaide', 'Adelaide', 'Springtime in the Botanic Gardens', 'Street Stall', and Untitled..... More

Sydney, Tyrrell's Galleries, 1930. The colophon, signed by Barnett, states that the book is 'Reprinted from the 1929 Year Book of the American Society of Bookplate Collectors and Designers'. In fact, the original printing was unillustrated. In the Book Collectors' Society of Australia 2009 publication on Barnett, the bibliography by..... More

London, Secker & Warburg, 1984. Number 111 of 500 copies with a numbered certificate of limitation signed by both artist and poet mounted on the front pastedown. More

Adelaide, Lidums Art Gallery, 1973. The edition comprised 1250 numbered copies with the artist's signature on an adhesive label (also stamped with the same number). This is copy number 1252, thus out-of-series, but loosely inserted in the book is one of the adhesive labels signed boldly in blue ink by..... More

[Adelaide], Brolga Books, 1970. This copy is signed and dated (10 April 1970) by the artist under his frontispiece portrait; the handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s. He died in 1983 at the age of..... More

Adelaide, [The Artist], 1950. Number 84 of a 'Private Edition' (total number not stated), initialled and dated (20 November 1950) by the artist. More

Frenchs Forest, The Craftsman's Press, 1984. The deluxe edition; this is number 3 of only 200 copies signed by the artist. Loosely inserted, and as issued, is an original signed etching, numbered to match (paper size 330 × 255 mm; image size 200 × 165 mm). From the collection of..... More

North Caulfield, Malakoff Fine Art Press, 1982. Number 115 of 1500 copies. More

Melbourne, Gryphon Books, 1980. 'Rochester's Lyrical, lewd & licentious poems were circulated only in manuscript during his lifetime. The earliest printed Editions appeared a year after his Death. But "The Farce of Sodom" was never printed in England. For centuries its fame (or notoriety) depended on crude Continental imprints. Consequently..... More

Sydney, Art Academy, 1988. One of 200 copies numbered and signed by the artist, containing a numbered, signed and captioned linocut ('Sharyn's Shawl'). Loosely inserted is a catalogue for the 1982 retrospective exhibition of the artist's drawings and linocuts (octavo, 8 pages plus the colour pictorial wrappers - 70 items..... More

South Melbourne, Richard Griffin, 1984 [first thus]. One of only 600 copies of the Collectors' Edition signed by Hodgkinson and issued with one of six different original etchings (each in a limited edition of 100 and also signed by the artist). In this copy the book is not numbered, but..... More

Seaforth, The Craftsman's Press, 1987. Number 34 of 100 copies signed by the artist (on a small plate mounted on the half-title); a large colour lithograph, 'The Fall of Icarus' (paper size 505 × 660 mm), numbered and signed by the artist, accompanies the book. More

Melbourne, Osboldstone, 1956. One of 1250 copies signed by the artist. More