Adelaide, Adelaide City Council, 1988. A limited edition portfolio (number 52 of only 60 published), with each lithograph, 'Printed on Magnani paper, 310 gsm', signed and numbered by the respective artist. Titles are (in order of artist) 'Parklands, North Adelaide', 'Adelaide', 'Springtime in the Botanic Gardens', 'Street Stall', and Untitled..... More

Sydney, Tyrrell's Galleries, 1930. The colophon, signed by Barnett, states that the book is 'Reprinted from the 1929 Year Book of the American Society of Bookplate Collectors and Designers'. In fact, the original printing was unillustrated. In the Book Collectors' Society of Australia 2009 publication on Barnett, the bibliography by..... More

London, Secker & Warburg, 1984. Number 111 of 500 copies with a numbered certificate of limitation signed by both artist and poet mounted on the front pastedown. More

Adelaide, Lidums Art Gallery, 1973. Number 592 of 1250 copies, with a numbered adhesive label signed by the artist mounted on the verso of the title page (as issued). This copy also has the signature of the author on the same page, along with the name of the original owner..... More

Bondi Junction, ETT Imprint, 1998. Number 78 of only 100 copies signed by both the author and the artist, with an original signed etching (187 × 190 mm). Hand-bound by Robyn Tait, who has signed and inscribed the verso of the title in pencil 'For Alec'. This book of verse..... More

[Adelaide], Brolga Books, 1970. This copy is signed on the title page by the author, and signed and dated (1970) by James Cant, under his frontispiece photographic portrait. (The handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s.)..... More

Adelaide, The Artist, 1936. Number 73 of 120 copies numbered and initialled by the artist. More

Frenchs Forest, The Craftsman's Press, 1984. The deluxe edition; this is number 3 of only 200 copies signed by the artist. Loosely inserted, and as issued, is an original signed etching, numbered to match (paper size 330 × 255 mm; image size 200 × 165 mm). From the collection of..... More

Melbourne, Gryphon Books, 1980. 'Rochester's Lyrical, lewd & licentious poems were circulated only in manuscript during his lifetime. The earliest printed Editions appeared a year after his Death. But "The Farce of Sodom" was never printed in England. For centuries its fame (or notoriety) depended on crude Continental imprints. Consequently..... More

Sydney, Beagle Press, 1990. Inscribed 'to Robert & Fay Gerrard [sic] with warmest regards. March 1994. Louis Kahan'. The recipients were Robert and Fay Gerard, of Gerard Industries fame. More

Seaforth, The Craftsman's Press, 1987. Number 34 of 100 copies signed by the artist (on a small plate mounted on the half-title); a large colour lithograph, 'The Fall of Icarus' (paper size 505 × 660 mm), numbered and signed by the artist, accompanies the book. More

Adelaide, Wakefield Press, 2006/ 2001. Signed on the half-title by Kathleen Petyarrre (born circa 1940), 'Recognised as one of Australia's greatest living artists' (preamble reprinted from the first edition of 2001). More

Spit Junction, Craftsman's Press, 1983. Number 99 of 250 copies signed by both the artist and the author; an original signed etching, numbered to match (paper size approximately 250 × 330 mm; image size approximately 195 x 255 mm), is loosely inserted. The prospectus (a little creased) is also present..... More