Adelaide, Adelaide City Council, 1988. A limited edition portfolio (number 52 of only 60 published), with each lithograph, 'Printed on Magnani paper, 310 gsm', signed and numbered by the respective artist. Titles are (in order of artist) 'Parklands, North Adelaide', 'Adelaide', 'Springtime in the Botanic Gardens', 'Street Stall', and Untitled... More about Visions of Adelaide. A Folio of Five Lithographs - Personal Visions of the City by Five Adelaide...

Sydney, Tyrrell's Galleries, 1930. The colophon, signed by Barnett, states that the book is 'Reprinted from the 1929 Year Book of the American Society of Bookplate Collectors and Designers'. In fact, the original printing was unillustrated. In the Book Collectors' Society of Australia 2009 publication on Barnett, the bibliography by... More about The Bookplate in Australia. Its Inspiration and Development

London, Secker & Warburg, 1984. Number 111 of 500 copies with a numbered certificate of limitation signed by both artist and poet mounted on the front pastedown. More about Narcissus

Adelaide, Lidums Art Gallery, 1973. The edition comprised 1250 numbered copies with the artist's signature on an adhesive label (also stamped with the same number). This is copy number 1252, thus out-of-series, but loosely inserted in the book is one of the adhesive labels signed boldly in blue ink by... More about The Art of David Boyd

[Adelaide], Brolga Books, 1970. This copy is signed and dated (10 April 1970) by the artist under his frontispiece portrait; the handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s. He died in 1983 at the age of... More about James Cant

Adelaide, [The Artist], 1950. Number 84 of a 'Private Edition' (total number not stated), initialled and dated (20 November 1950) by the artist. More about South Australian Personalities. A Selected Gallery of Notable Citizens, Leaders in their...

Richmond, Richmond Hill Press and Collector Reproductions, 1979. Number 92 of 500 copies signed by the artist. 'Sir Russell Drysdale has created 45 original pen and wash drawings, line drawings and watercolours recollecting the people and places which have inspired his art through a lifetime'. More about Russell Drysdale

Frenchs Forest, The Craftsman's Press, 1984. Number 12 of 200 copies signed by the artist; loosely inserted is an original signed and numbered etching (paper size 330 × 255 mm; image size 200 × 165 mm). More about The Art of Brian Dunlop

Melbourne, Gryphon Books, 1979. Oversubscribed on publication and destined to be perennially rare, as the edition was limited to only 150 copies numbered and signed by Donald Friend; this is number 63. It is offered together with a copy of 'The Bumbooziana Portfolio, being some Notes by the Publisher, a.... More about Sundry Notes and Papers; being recently discovered Notes and Documents of the Natural &...

Sydney, The Shepherd Press, 1947. Number 679 of 2000 copies (200 copies of a deluxe edition were also published). More about Elioth Gruner. Twenty-four Reproductions in Colour from Original Oil Paintings. Foreword by...

Sydney, Art Academy, 1988. One of 200 copies numbered and signed by the artist, containing a numbered, signed and captioned linocut ('Sharyn's Shawl'). Loosely inserted is a catalogue for the 1982 retrospective exhibition of the artist's drawings and linocuts (octavo, 8 pages plus the colour pictorial wrappers - 70 items... More about Edward Heffernan. His Life and Art

South Melbourne, Richard Griffin, 1984 [first thus]. One of only 600 copies of the Collectors' Edition signed by Hodgkinson and issued with one of six different original etchings (each in a limited edition of 100 and also signed by the artist). In this copy the book is not numbered, but... More about Sepik Diary

Seaforth, The Craftsman's Press, 1987. Number 34 of 100 copies signed by the artist (on a small plate mounted on the half-title); a large colour lithograph, 'The Fall of Icarus' (paper size 505 × 660 mm), numbered and signed by the artist, accompanies the book. More about Colin Lanceley. With an Introduction by Robert Hughes and Interview by William Wright