Adelaide, Adelaide City Council, 1988. A limited edition portfolio (number 52 of only 60 published), with each lithograph, 'Printed on Magnani paper, 310 gsm', signed and numbered by the respective artist. Titles are (in order of artist) 'Parklands, North Adelaide', 'Adelaide', 'Springtime in the Botanic Gardens', 'Street Stall', and Untitled..... More

Sydney, Tyrrell's Galleries, 1930. The colophon, signed by Barnett, states that the book is 'Reprinted from the 1929 Year Book of the American Society of Bookplate Collectors and Designers'. In fact, the original printing was unillustrated. In the Book Collectors' Society of Australia 2009 publication on Barnett, the bibliography by..... More

London, Secker & Warburg, 1984. Number 111 of 500 copies with a numbered certificate of limitation signed by both artist and poet mounted on the front pastedown. More

Adelaide, Lidums Art Gallery, 1973. The edition comprised 1250 numbered copies with the artist's signature on an adhesive label (also stamped with the same number). This is copy number 1252, thus out-of-series, but loosely inserted in the book is one of the adhesive labels signed boldly in blue ink by..... More

[Adelaide], Brolga Books, 1970. This copy is signed and dated (10 April 1970) by the artist under his frontispiece portrait; the handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s. He died in 1983 at the age of..... More

Adelaide, [The Artist], 1950. Number 84 of a 'Private Edition' (total number not stated), initialled and dated (20 November 1950) by the artist. More

Frenchs Forest, The Craftsman's Press, 1984. The deluxe edition; this is number 3 of only 200 copies signed by the artist. Loosely inserted, and as issued, is an original signed etching, numbered to match (paper size 330 × 255 mm; image size 200 × 165 mm). From the collection of..... More

North Caulfield, Malakoff Fine Art Press, 1982. Number 115 of 1500 copies. More

Melbourne, Gryphon Books, 1980. 'Rochester's Lyrical, lewd & licentious poems were circulated only in manuscript during his lifetime. The earliest printed Editions appeared a year after his Death. But "The Farce of Sodom" was never printed in England. For centuries its fame (or notoriety) depended on crude Continental imprints. Consequently..... More

Stoke-on-Trent, The Lytlewode Press, 15 December 2007. Number 14 of only 25 copies of this deluxe edition, signed by the publisher, Robert Littlewood, who has also contributed a 20-page essay. The etchings are intaglio impressions on rag paper, 'strikingly hand-coloured according to Pro Hart's direction' (publisher's online blurb). More

Clarendon, SA, Granrott Press, 1984. One of 75 copies signed by the artist, containing two numbered and signed etchings. More

Sydney, Beagle Press, 1990. With the inscription to art historian and wife of Robert Campbell (AGSA director 1951-1967) Jean Campbell ('with warmest wishes'), signed by the artist. More

Brookvale, Copperfield, 1988. Published in a limited edition of only 300 numbered sets signed by the publisher, John McCullagh. Part B, a very detailed and fully illustrated chronological catalogue of all of Lionel Lindsay's etchings, is an indispensible reference work for the collector. (Volume 1, devoted to Lionel Lindsay's woodcuts..... More