Adelaide, Rigby, 1979. Warmly inscribed, dated (August 2007) and signed by the author (1920-2011), the influential contemporary Australian art dealer (and much else besides). More

Sydney, 'Composed, Bound and Printed by the Artist at the Studio 38A Pitt St', 1936. Number 20 of only 25 signed copies, with the bookplates signed as well. This very rare item is not to be confused with another work with the same title, produced in the same year by..... More

London, Zwemmer Gallery, 1967. Number 176 of 300 copies numbered, dated (London, 1967) and signed by the artist. The technique of sfumato ('the use of carbon from a naked candle flame or from an oil lamp as an aid to painting') is discussed in the book in an article by..... More

Adelaide, Lidums Art Gallery, 1973. The edition comprised 1250 numbered copies with the artist's signature on an adhesive label (also stamped with the same number). This is copy number 1252, thus out-of-series, but loosely inserted in the book is one of the adhesive labels signed boldly in blue ink by..... More

[Adelaide], Brolga Books, 1970. This copy is signed and dated (10 April 1970) by the artist under his frontispiece portrait; the handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s. He died in 1983 at the age of..... More

Adelaide, The Artist, 1936. Number 21 of only 120 copies, numbered and initialled by the artist. More

Adelaide, [The Artist], 1950. Number 84 of a 'Private Edition' (total number not stated), initialled and dated (20 November 1950) by the artist. More

Melbourne, Gryphon Books, 1980. 'Rochester's Lyrical, lewd & licentious poems were circulated only in manuscript during his lifetime. The earliest printed Editions appeared a year after his Death. But "The Farce of Sodom" was never printed in England. For centuries its fame (or notoriety) depended on crude Continental imprints. Consequently..... More

Sydney, Beagle Press, 1990. Inscribed 'to Robert & Fay Gerrard [sic] with warmest regards. March 1994. Louis Kahan'. The recipients were Robert and Fay Gerard, of Gerard Industries fame. More

Seaforth, The Craftsman's Press, 1987. Number 34 of 100 copies signed by the artist (on a small plate mounted on the half-title); a large colour lithograph, 'The Fall of Icarus' (paper size 505 × 660 mm), numbered and signed by the artist, accompanies the book. More

Adelaide, Wakefield Press, 2006/ 2001. Signed on the half-title by Kathleen Petyarrre (born circa 1940), 'Recognised as one of Australia's greatest living artists' (preamble reprinted from the first edition of 2001). More

[Sydney], Beagle Press, [1993]. The title page is warmly inscribed and signed by the artist to Kym Bonython (20 February 1994). More