Adelaide, Adelaide City Council, 1988. A limited edition portfolio (number 52 of only 60 published), with each lithograph, 'Printed on Magnani paper, 310 gsm', signed and numbered by the respective artist. Titles are (in order of artist) 'Parklands, North Adelaide', 'Adelaide', 'Springtime in the Botanic Gardens', 'Street Stall', and Untitled..... More

Sydney, Tyrrell's Galleries, 1930. The colophon, signed by Barnett, states that the book is 'Reprinted from the 1929 Year Book of the American Society of Bookplate Collectors and Designers'. In fact, the original printing was unillustrated. In the Book Collectors' Society of Australia 2009 publication on Barnett, the bibliography by..... More

London, Secker & Warburg, 1984. Number 111 of 500 copies with a numbered certificate of limitation signed by both artist and poet mounted on the front pastedown. More

Adelaide, Lidums Art Gallery, 1973. The edition comprised 1250 numbered copies with the artist's signature on an adhesive label (also stamped with the same number). This is copy number 1252, thus out-of-series, but loosely inserted in the book is one of the adhesive labels signed boldly in blue ink by..... More

Bondi Junction, ETT Imprint, 1998. Number 78 of only 100 copies signed by both the author and the artist, with an original signed etching (187 × 190 mm). Hand-bound by Robyn Tait, who has signed and inscribed the verso of the title in pencil 'For Alec'. This book of verse..... More

[Adelaide], Brolga Books, 1970. This copy is signed on the title page by the author, and signed and dated (1970) by James Cant, under his frontispiece photographic portrait. (The handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s.)..... More

Adelaide, The Artist, 1936. Number 73 of 120 copies numbered and initialled by the artist. More

Melbourne, Gryphon Books, 1980. 'Rochester's Lyrical, lewd & licentious poems were circulated only in manuscript during his lifetime. The earliest printed Editions appeared a year after his Death. But "The Farce of Sodom" was never printed in England. For centuries its fame (or notoriety) depended on crude Continental imprints. Consequently..... More

Sydney, Beagle Press, 1990. With the inscription to art historian and wife of Robert Campbell (AGSA director 1951-1967) Jean Campbell ('with warmest wishes'), signed by the artist. More

Sydney, Print Room Press, 1989. Number 41 of only 55 signed copies; possibly the artist's copy, with his signature, address and telephone number in pencil on the flyleaf. A series of portraits of the elderly. More

[Sydney], Beagle Press, [1993]. The title page is warmly inscribed and signed by the artist to Kym Bonython (20 February 1994). More

Sydney, Harper & Row, 1979. Number 116 of 500 copies signed by the artist and both authors. The work is based on the text of a film which won the Golden Reel award from the AFI for the best Australian documentary of 1969. More