The Wallaroo Mine, Kadina, South Australia 1860-1923. A Pictorial History
Adelaide, The National Trust of South Australia, 1985. More
Adelaide, The National Trust of South Australia, 1985. More
Adelaide, The National Trust of South Australia, 1985. More
Adelaide, Longwood Media, 1983. A short (28-page) biography of Samuel Sweet, South Australia's foremost colonial photographer, with approximately 54 of his images reproduced; a number of the scenes are coupled with their modern-day equivalents. More
Sydney, John Ferguson, 1977. More
Melbourne, Oxford University Press, 1983. 'This book traces in photographs, drawn from archival sources, the destruction of the city's architectural heritage from 1900 to the present day' (and it continues still). More
London, Jonathan Cape, 1988. More
[Adelaide, Unidentified Photographer, circa 1971]. 'An Arrente woman from Alice Springs, Auriel Andrew began her musical career in the late 1960s, "cutting her teeth" on the local live music circuits in Adelaide and Port Lincoln. She appeared on various live TV musical broadcasts before she became a regular on Channel..... More
Glebe, Florilegium, 2003. More
New York, The Eakins Press, 1966. Twelve 'interiors', ranging from sharecropping in Louisiana and Alabama during the Great Depression to New York, New Jersey and Massachusetts during the 1950s and 1960s. More
[Paris, Albert Champeau and Jean-Pierre Renard], 1979 [1976 to 1979]. The text is in French; the four-page introduction to this cumulative edition is by Jean-Claude Lemagny. Featured photographers include Judith Turner, Raoul Hausmann, Bernard Guillot, Bernard Plossu, Robert Mapplethorpe, Jimmy Douglas, André Ostier, Méret Oppenheim, Daniel Boudinet, David Harali, and..... More
Sydney, Horwitz Grahame Books, 1980. The title page is inscribed and signed by Max Dupain to Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019): 'Every good wish to Joyce - Christmas 1980. Max Dupain'. More
Melbourne, Oxford University Press, 1985. the title page is signed by both authors. Still a very useful reference work: the bulk of the book consists of an alphabetical listing of over 3000 professional and amateur nineteenth century Australian photographers. More
New York, Haywire Press, 1970. 'These self portraits span a period of six years and were not done as a specific preoccupation, but rather, they happened as a peripheral extension of my work. They began as straight portraits but soon I was finding myself at times in the landscape of..... More
New York, Morgan & Morgan, Inc., March 1975 (second impression)/ April 1974. The half-title is signed in ink by Ansel Adams. The text is contributed by Edwin Land, David H. McAlpin, Jon Holmes and Ansel Adams. More
New York, The Museum of Modern Art, 1976. The book accompanied an exhibition at the Museum of Modern Art (the first one-man exhibition that featured colour photography). The ten-page foreword is by John Szarkowski, the curator of the exhibition. More
London, Countdown Publications, 1972. Number 345 of 500 copies of this whimsical artist's book, signed and dated (1972) by James Wedge, featuring reproductions of his photographs. More
Amsterdam, HUP Gallery, 2005. The catalogue for an exhibition held at the HUP Gallery in Amsterdam, 22 September to 10 November 2005. The first page is inscribed and signed by the photographer to Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019): 'for my dear Joyce! | touched by your..... More
Melbourne, Oxford University Press, 1992. Informative biographies of 2500 artists: 'every known painter, sketcher, printmaker and photographer who worked in Australia before 1870'; thirty years on, it is still an important reference work. More
London, Royal Collection Publications, 2004. More
London, Longmans, Green, and Co., 1887. The half-title is inscribed 'Presented to Carl H.F. Werner Esq by the Writer February 1910'. This book was published to wide critical acclaim. Lindt was awarded a gold medal at the 1888 Melbourne Centennial International Exhibition, 'with special mention for his ethnological photographs, landscapes..... More
London, Phaidon Press Limited, 2000. A comprehensive illustrated survey of 500 of the world's most influential garden makers. More
Thora, The Author, 1998. An exhibition catalogue of Rhodes' important photographs of Pintupi and Pitjantjatjara people taken at Kiwirrkura (also known as Kiwirrkura Community) between the Gibson Desert and the Great Sandy Desert in Western Australia. The title page is signed in ink by the photographer. More
Sydney, David Ell Press in association with the Elizabeth Bay House Trust, 1978. Number 557 of 1500 copies signed by Max Dupain and Clive Lucas (as Chairman of Trustees of Elizabeth Bay House). Clive Lucas and Ian Evans have also made written contributions to this work on the pioneering Australian..... More
Upwey, Burrinja Gallery, [circa 2007]. The inside front cover is inscribed: 'Imagination Free to Roam. to my best friend Joyce Evans. Love from Neil Mcleod'. The recipient was the Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). 'At which point does a photograph become a painting and when does..... More