Caught between Shadows and Light
[Chicago], DDP, 2005. More
[Chicago], DDP, 2005. More
Boston, New York Graphic Society, 1977. Provenance: with the ownership signature of Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). More
Dayton, Wright State University Art Galleries, Inc., 1978. With several essays relating to d'Agostino's work, one of them an interview with Umberto Eco. More
Phoenix, The Artist, 1977. Surrealist photocollages of nudes in American landscapes. The accompanying text is equally surreal, and we presume that the contributors - such as Amy Abletung (D.Symb.) of the Center for Creative Symbology, Mount Grundy, Iowa - are fictitious. More
Frankfort, Gnomon Press for Virginia Polytechnic Institute & State University, 1978. The catalogue for a travelling exhibition featuring works by Lyle Bongé, Alex Harris, Paul Kwilecki, John McWilliams, Sally Mann, Robert C. May, Ralph Eugene Meatyard, John Menapace, Guy Mendes, Bart Parker and Evon Streetman. More
Melbourne, The National Gallery of Victoria, 1973. The catalogue for a touring exhibition to Australia and New Zealand of material from the Museum of Modern Art, New York. The artists are: Vito Acconci, Carl Andre, John Baldessari, Lynda Benglis, Mel Bochner, Dan Flavin, Eva Hesse, Robert Irwin, Donald Judd, Joseph..... More
Boston, David R. Godine, Publisher, 1975. Contemporary Photographers Series number 2. More
New York, Harry N. Abrams Inc., 2004. Introduction by John Ashbery, and a note by Thomas Nozkowski. More
St. Louis, University of Missouri-St. Louis Publications Office, 1978 (third printing)/ [1978]. Exhibition catalogue, introduction by Jean S. Tucker. More
Cambridge, Polaroid Corporation, 1977. Some of the images are portaits; subjects include photographer Eve Rubinstein, and film directors Federico Fellini, Francesco Rosi, Marco Ferreri and Gillo Pontecorvo. Foreword by L. Fritz Gruber, introduction by Peter C. Bunnell. More
Boston, The Metropolitan Museum of Art/ A Bullfinch Press Book/ Little, Brown and Company, 2002. Exhibition catalogue. More
Paris, Montreal Museum of Decorative Arts in association with Flammarion, 1996. The 'American modernist jewelry movement was a natural outgrowth of the ongoing craft revival in the twentieth century. The studio jewelers, like the Arts and Crafts practitioners before them, rejected the machine and the principles of mass production ....... More
Canton, The Fomo Publishing Company, 1935 (fourth edition)/ 1933. A small pencilled manuscript note is loosely inserted. More
New York, Duell, Sloan and Pearce, 1942 (third printing)/ 1942. Provenance: Adelaide architect and artist Mervyn Ashmore Smith (1904-1994, husband of the artist Ruth Tuck), with his ownership stamp and original purchase receipt. More
Cambridge, Harvard University Press, 1975. More
We have not identified the photographer, but the photograph clearly comes from the same session that produced the image used on the front cover of 'Errol Flynn - an Epic Life' by Kevin McAleer (2018). It is undated, but from comparison with numerous other photographs of Flynn, we suggest circa..... More
Port Elizabeth, Richards, Impey & Co., circa 1870. A rare South African handbill advertising a touring 'Diorama' of the American Civil War. The recto provides the sequence of events from the bombardment of Fort Sumter, Bull Run, the battle between the 'Kearsarge' and 'Alabama', the main battles from Gettysburg to..... More
London, The Folio Society, 2013 (third impression)/ 2004 (first thus). 'Catch-22 was first published in Great Britain by Jonathan Cape in June 1962. This edition follows the text of the July 1962 reprint by Jonathan Cape, with minor emendations'. The introduction by Malcolm Bradbury is new to this edition. More
New York, Sotheby's, 1988. Loosely inserted is the colour-pictorial folded prospectus, with the auctioneer's printed introductory note. 'Andy Warhol, an eclectic collector, assembled a remarkably diverse group of works of art from many fields.... More than 3,000 works of art are included in the series of six illustrated catalogues. Each..... More
Oakland, The Scrimshaw Press, 1977. Photographs taken at the section of the Stanford Children's Hospital devoted to cancer therapy 'to record on film the inner spirit of the place'. More
New York, Dover Publications, Inc., 1978 (second edition, expanded)/ 1960. This edition adds 35 extra illustrations from photographs. Foreword by Beaumont Newhall. More
San Fransisco, Straight Arrow Books, 1975. Dated (1977) and signed in ink by Bill Owens on the half-title. 'Owens uses his camera with cutting synpathy, His pictures are gentle, instructive and disturbing without being obvious or overdidactic' (rear cover). More
New York, Da Capo Press, 1973. More
Rochester, George Eastman House, 1965. With essays by Henry Holmes Smith and Thomas B. Hess. George Eastman House Monograph Number 5. More