A Turkish View of Gallipoli. Canakkale
Richmond, Hodja Educational Resources Cooperative Ltd, [1985]. Dated (April 1985) and signed by Kevin Fewster. More
Richmond, Hodja Educational Resources Cooperative Ltd, [1985]. Dated (April 1985) and signed by Kevin Fewster. More
Images include a row of rough graves; heavily damaged buildings; numerous Army camp scenes, including interiors of tents and huts (one captioned 'Church Army Hut Etaples ? 1918/19'), and a priest celebrating mass; a large mural of 41 General Hospital; Greek soldiers; routine peasant life, including laden camels, Muslim women..... More
The photographs are numbered and captioned in the space between the two images; this collection comprises an unbroken run of 100 from '2597. Sentinelles avancées derrière un talus' to '2696. Pêche à la ligne'. There are numerous scenes depicting the misery of life in the trenches (especially when flooded); other..... More
Ballarat, [The Author, circa 1920s] (printed by S.L. Vale). The photographer, 319 Private William Edwin Leslie Clapham, was at Gallipoli at the time of the landings, in which he almost certainly took part. Evacuated to Malta with a gunshot wound to his hand on 14 May 1915, he served there..... More
Two of the portraits are dated (France, July 1917 and [London], October 1918); one of the others is credited to an English photographer; the fourth one was almost certainly taken while Dixon was on active service. They give a graphic portrayal of the impact the war has had on him..... More
The very fine portrait (visible image size 545 × 395 mm, in its original ornate gilt frame, external dimensions 740 × 595 mm) is exquisitely hand-painted and signed by the famous colonial photographer, Townsend Duryea (1823-1888). His original label is affixed to the paper backing on the verso of the..... More
London, Cape, 1974. Reproductions of 258 of some of the earliest photographs ever taken, by the Scottish masters David Octavius Hill and Robert Adamson. With the bookplate of Grattan Wheaton [OAM]. More
Paris, Editions A. Papeghin, [circa 1910s]. Not least, the semi-deserted avenues with occasional pedestrians, mounted travellers, horse-drawn carriages and carts, early jalopies and motor omnibuses. More
Johannesburg, Ad. Donker/ Jonathan Ball, 1993. More
New York, Grossman Publishers, [1967]. Inscribed, signed and dated (1969) by the photographer on the half-title. More
'Premiers 1910' is written on the football, and an 'FFC' banner is visible in the background; the team is identified in ballpoint pen on the verso. The Freeling Football Club competed in the Barossa Light & Gawler Football Association, inaugurated in 1908. More
Adelaide, Contemporary Art Centre of South Australia Inc., 2006. Inscribed and signed by the artist on the title page. More
New York, Haywire Press, 1970. 'These self portraits span a period of six years and were not done as a specific preoccupation, but rather, they happened as a peripheral extension of my work. They began as straight portraits but soon I was finding myself at times in the landscape of..... More
[Burra], Burra History Group Inc, 2009 (first reprint)/ 2009. More
[Burra], Burra History Group Inc, 2014 (second edition)/ 2009. More
Garfield, Circa, an imprint of Melbourne Publishing Group Pty Ltd, 2012 [second edition]/ 2011. 'This beautiful book documents in words and stunning photography the commissioning and construction of the La-Sisi Malangan Canoe, together with associated traditional ceremonies, over a period 13 months, in 1994-95' (from the dustwrapper blurb). More
Mount Gambier, City of Mount Gambier, 2004. More
Trento, Editoria, 1983. Signed by the author. Text in Italian. More
Trento, Editoria, 1981. Signed by the author on the front free endpaper. More
Paris, Ministere de la Culture et de la Communication, 1980. Exhibition catalogue; text in French. More
Adelaide, Goodfellow & Hele [almost certainly the author: James Dally was convinced], 1880. Ferguson 11744; Holden 70. Holden's entry is more accurate and informative, although the photographs may vary slightly between copies. The photograph facing page 17 in this copy is of the 'Gawler Institute' (showing the Institute building and..... More
Genoa, Cartoleria e Legatoria Balbi Giuseppe, [circa 1880s]. A pictorial souvenir of Genoa comprising a leporello of 12 sepia-toned gelatin silver photographs (102 × 72 mm or the reverse) on card mounts with a printed red border, folding into gilt-lettered red cloth boards, decorated in blind and lettered in gilt..... More
London, Thames and Hudson, 1969 (revised and enlarged edition)/ 1955. More
New York, Lustrum Press, Inc., 1974 (first edition). The third volume in the 'Black' trilogy. More
The Netherlands, Afrika Museum, Berg en Dal, in cooperation with The Netherlands-Lesotho Foundation, 1993. More