Alfred Stieglitz and the American Avant-Garde
Boston, New York Graphic Society, 1977. Provenance: with the ownership signature of Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). More
Boston, New York Graphic Society, 1977. Provenance: with the ownership signature of Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). More
London, Thames and Hudson, 1978. More
Sydney, Australian Society for Education through the Arts/ Ure Smith, 1978 (second, amended and corrected, edition)/ 1973. With a one-page foreword to this edition by Ronald Berndt (who has also added references which bring the book up to date). Aside from the editors, contributors include Catherine H. Berndt, Catherine Ellis..... More
Sydney, David Ell Press in association with the Elizabeth Bay House Trust, 1978. Number 557 of 1500 copies signed by Max Dupain and Clive Lucas (as Chairman of Trustees of Elizabeth Bay House). Clive Lucas and Ian Evans have also made written contributions to this work on the pioneering Australian..... More
Boston, David R. Godine, 1978. Introduction by Hilton Kramer. More
London, Mitchell Beazle Publishers Limited, 1978. More
San Francisco, Harper & Row, 1978. A Headlands Press book. More
Dobbs Ferry, Morgan & Morgan, 1978. Introduction by Robert Coles. With the pencilled ownership signature of Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). More
San Francisco, NFS Press, 1978. 'An influential figure in the Bay Area art scene in the late 1970s and early 80s, Thomas, aside from making and showing his work, also organized group exhibitions for local nonprofit art spaces and museums, and published books with Donna-Lee Phillips under the imprint NFS..... More
London, Impressions Gallery of Photography, 1978. More
Eindhoven, The Author, 1978. The text is in Dutch and English. More
Seattle, University of Washington Press (for the Henry Art Gallery), 1978 (third printing, first paperback edition)/ 1974. The catalogue for an exhibition at the Henry Art Gallery, University of Washington, in 1974; the 10-page introduction is by Margery Mann. Index of Art in the Pacific Northwest, Number 7. More
Boston, David R. Godine, 1978. With an essay by Patricia Meyer Spacks entitled 'Self as Subject: A Female Language'. More
Paddington, The Australian Centre for Photography on behalf of CSR Limited, 1978. More
Paddington, The Australian Centre for Photography on behalf of CSR Limited, 1978. More
Liverpool, Walker Art Gallery in association with the Arts Council of Great Britain, 1978. Exhibition catalogue. More
New York, Dover Publications, Inc., 1978 (second edition, expanded)/ 1960. This edition adds 35 extra illustrations from photographs. Foreword by Beaumont Newhall. More
Frankfort, Gnomon Press for Virginia Polytechnic Institute & State University, 1978. The catalogue for a travelling exhibition featuring works by Lyle Bongé, Alex Harris, Paul Kwilecki, John McWilliams, Sally Mann, Robert C. May, Ralph Eugene Meatyard, John Menapace, Guy Mendes, Bart Parker and Evon Streetman. More
St. Louis, University of Missouri-St. Louis Publications Office, 1978 (third printing)/ [1978]. Exhibition catalogue, introduction by Jean S. Tucker. More
Dayton, Wright State University Art Galleries, Inc., 1978. With several essays relating to d'Agostino's work, one of them an interview with Umberto Eco. More
Modena, Punto e Virgola, 1978. One of the Biblioteca di Storia della Fotografia series. Text in Italian. More
New York, Times, 1979. More
Millerton, Apeiron Workshops, Inc., 1979. More
London, Collins, 1979. More
Mill Valley, Squarebooks, 1979. With the contemporary presentation inscription to Malcolm Kinnaird, co-founder of Kinhill Australia. More
(Melbourne), Institute of Australian Photography, 1979 (third edition)/ 1977 (second edition)/ 1955. More
[Paris, Albert Champeau and Jean-Pierre Renard], 1979 [1976 to 1979]. The text is in French; the four-page introduction to this cumulative edition is by Jean-Claude Lemagny. Featured photographers include Judith Turner, Raoul Hausmann, Bernard Guillot, Bernard Plossu, Robert Mapplethorpe, Jimmy Douglas, André Ostier, Méret Oppenheim, Daniel Boudinet, David Harali, and..... More
New York, Aperture, Inc., 1979. An Aperture Monograph. More
Munich, Schirmer/Mosel, 1979. Text in German. More
New York City, Mayflower Books, Inc./ Visual Books, Inc., 1979. More
Köln, Galerie Rudolf Kicken, 1979. Exhibition catalogue. Introductory essay by Volker Kahmen; text in German and English. More
New York, International Center of Photography, 1979. Published to accompany the exhibition of the same name held at the International Center of Photography in April-May 1979. More
Albuquerque, University of New Mexico Press, 1979. More
Graz, Fotogalerie, 1979. Text in German. More
Monterey, The Friends of Photography, 1979. The 'eighteenth in the series on serious photography by The Friends of Photography'; one of 3500 copies. More
Bern, Benteli Verlag, 1979. The text is in German. More
Millerton, Apeiron Workshops, Inc., 1979. More
Köln, Galerie Rudolf Kicken, 1979. Exhibition catalogue; text in German. More
Beijing, China Pictorial, 1980 (second, revised, edition)/ 1979. More
Auckland, Collins, 1980. More
[Japan], Bunrin-do, 1980. Text in Japanese but extensively illustrated. Loosely inserted is a photograph of the nose of Liberator 'Nipponese Clipper'. Aircraft include B-17 Flying Fortress, B-24 Liberator, B-25 Mitchell, B-26 Marauder, B-29 Super Fortress; not least, over 30 pages of 'Nose Art of U.S. Bombers'. Koku-Fan Illustrated Number 5..... More
Sydney, Horwitz Grahame Books, 1980. The title page is inscribed and signed by Max Dupain to Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019): 'Every good wish to Joyce - Christmas 1980. Max Dupain'. More
Hunters Hill, David Ell Press, 1980. The half-title is signed 'Max Dupain '80'. A significant retrospective monograph reproducing 85 photographs taken between 1928 and 1980, edited and with a lengthy biographical essay (21 pages) by Gael Newton. More
New York, The Viking Press, 1980 (first American edition)/ 1979. With a three-page introduction by Lartigue. A Studio Book. More
New York, Alfred A. Knopf, 1980. Exhibition catalogue. More
Bellerive, The Photographer, 1980. Number 110 of only 400 copies initialled in ink by the photographer. More
München, Schirmer/ Mosel, 1980. The introduction is by Stephen Spender. Text in German. More
Tucson, Center for Creative Photography, The University of Arizona, 1980. Exhibition catalogue. More
Harmondsworth, Penguin Books, 1980 (revised edition)/ [1966]. Alfred Eisenstaedt (1898-1995) was a German-born American photographer and photojournalist whose career in 'Life' magazine began in 1935. More
New York, Aperture, Inc., 1980. An Aperture Monograph. With a profile by R.H. Cravens. More