Photo-Eye. 76 Photos of the Period
New York, Arno Press, 1973 [facsimile edition]/ 1929. Text in German, French and English. One of The Literature of Photography series. More
New York, Arno Press, 1973 [facsimile edition]/ 1929. Text in German, French and English. One of The Literature of Photography series. More
New York, Arno Press, 1973 [facsimile edition]/ 1919. One of The Literature of Photography series. More
New York, Da Capo Press, 1973. More
London, Thames and Hudson, 1973 (first edition in English)/ 1971. This substantial study is by the son of the photographer. This translated from the original German edition ('August Sander - Menschen ohne Maske') is by Maureen Oberli-Turner; the foreword is by Golo Mann. More
London, Cape, 1974. Reproductions of 258 of some of the earliest photographs ever taken, by the Scottish masters David Octavius Hill and Robert Adamson. With the bookplate of Grattan Wheaton [OAM]. More
Tokyo, Koyusha, [1974]. All the plates are from photographs taken by the author from the late sixties to 1972. The text is in both Japanese and English. More
New York, Harmony Books, 1974. More
Adelaide, Rigby, 1974. More
New York, E.P. Dutton & Co., Inc., 1974 (first American edition). 'Collected in this album are one hundred and one pictures of women taken from 1903 to the present, including 28 colour plates, some done in autochrome, the earliest color process.' A Dutton Visual Book. More
New York, E.P. Dutton & Co., Inc., 1974 (first American edition). 'Collected in this album are one hundred and one pictures of women taken from 1903 to the present, including 28 colour plates, some done in autochrome, the earliest color process.' A Dutton Visual Book. More
New York, Lustrum Press, Inc., 1974 (first edition). The third volume in the 'Black' trilogy. More
London, Academy Editions, 1974 (first UK edition). More
London, Collins, 1974 (revised edition)/ 1971. More
London, European Illustration, 1975. Text in French and English. More
Brighton, Teredo Books Ltd., 1975. With an Introduction by Alex. A. Hurst. 'The story of the years the author spent in the four-masted barque 'Silberhorn', running to Oregon and San Francisco ... together with many memories and reflections' (dustwrapper). More
New York, Morgan & Morgan, Inc., March 1975 (second impression)/ April 1974. The half-title is signed in ink by Ansel Adams. The text is contributed by Edwin Land, David H. McAlpin, Jon Holmes and Ansel Adams. More
London, Haskins Press, 1975 ('Limited Edition')/ 1965. Number 549 of 1500 copies signed by the photographer. A contemporary review in 'The Guardian' stated that '"Cowboy Kate" is something new in photography: with great technical virtuosity, extreme selectivity, a poet's insight, and an artist's eye, Sam Haskins has produced a photographic..... More
New York, Aperture, Inc., 1975 ['First Printing']. Koudelka's important first monograph, comprising a photoessay documenting the daily life of Roma people '... mostly in the separated Gypsy settlements in East Slovakia during the period 1962-1968'. More
Berkeley, David McPhail, 1975. More
New York, Grossman Publishers/ A Division of the Viking Press, 1975/ 1971. More
Cape Town, Murray Crawford, 1975 (first edition). Number 695 of 1000 copies signed by David Goldblatt. More
New York, McGraw-Hill Book Company, 1975. Featuring illustrations from photographs by Walker Evans, Ben Shahn, Dorothea Lange, Marion Post-Wolcott, Carl Mydans, Russell Lee, Jack Delano, Arthur Rothstein, and John Vachon. Introduction by Hiag Akmakjian. More
Paris, Editions du ChĂŞne, 1975. The illustrations are after photographs, photograms, collages and photomontages by Hausmann, who was associated with the Dada movement. One of the publisher's 'L'oeil absolu' series; text in French. More
San Fransisco, Straight Arrow Books, 1975. Dated (1977) and signed in ink by Bill Owens on the half-title. 'Owens uses his camera with cutting synpathy, His pictures are gentle, instructive and disturbing without being obvious or overdidactic' (rear cover). More
Cambridge, Harvard University Press, 1975. More
Boston, David R. Godine, Publisher, 1975. Contemporary Photographers Series number 2. More
New York, Da Capo Press, 1975 (first American edition). Introductory essay by Lord David Cecil. Essentially a facsimile of a family album, the subjects also include Alfred Lord Tennyson, G.F. Watts, Mrs Herbert Duckworth (the eventual mother of Virginia Woolf and Vanessa Bell), Earl Somers, Lewis Carroll and Oscar Gustav..... More
London, Secker & Warburg, 1975 (first English edition). Introductory essay by Lord David Cecil. Essentially a facsimile of a family album, the subjects also include Alfred Lord Tennyson, G.F. Watts, Mrs Herbert Duckworth (the eventual mother of Virginia Woolf and Vanessa Bell), Earl Somers, Lewis Carroll and Oscar Gustav Rejlander..... More
New York, The Museum of Modern Art, 1976. The book accompanied an exhibition at the Museum of Modern Art (the first one-man exhibition that featured colour photography). The ten-page foreword is by John Szarkowski, the curator of the exhibition. More
Rochester, Visual Studies Workshop, 1976. One of only 600 copies. More
[Oxford], Arts Council of Great Britain, 1976. Exhibition catalogue of works from the collection of the Museum of Modern Art, New York. More
London, Thames and Hudson, 1976. The biographical essay runs to some 34 pages. More
New York, Clarkson N. Potter, Inc., Publisher, 1976. More
Berkeley, Creative Arts Book Company, 1976 (first thus). Edited and with an introduction by Barry Gifford. More
Dunedin, John McIndoe, 1976. Introduction by Dawn Kendall. More
Lilydale, Pioneer Design Studio, 1977. Number 17 of only 30 copies of the Collector's Edition signed by Williams and Stacey. Presumably Eleanor Williams supplied the fifteen-page poetic discourse and Wesley Stacey was the photographer. The preamble commences with 'No human thought has fashioned these gardens, no human hand has sown..... More
Lilydale, Pioneer Design Studio, 1977. Presumably Eleanor Williams supplied the fifteen-page poetic discourse and Wesley Stacey was the photographer. The preamble commences with 'No human thought has fashioned these gardens, no human hand has sown the seeds or watered the plants. They occur where the marks of man are minimal..... More
[Melbourne, The Author, 1977]. A curious self-published work; some of the author's photographs ('War, Mans' [sic] favourite pastime'; 'The end of the Fight'; 'Cannibalism'; 'Headman's remains') are confronting. More
Barcelona, Ediciones Poligrafa, 1977 (first edition). 216 illustrations (62 in colour). More
Sydney, John Ferguson, 1977. More
New York, Aperture, Inc., 1977. The book was published in conjuction with a travelling exhibition, 'A Retrospective of the Photographer Lewis W. Hine, 1874-1940'. More
Washington, Lunn Gallery/ Graphics International Ltd., 1977. The prospectus for the first of three portfolios to be issued by the Walker Evans estate and distributed by the Lunn Gallery. More
London, Gordon Fraser/ The Arts Council of Great Britain, 1977. Gordon Fraser Photographic Monographs Number 6. More
Seattle, University of Washington Press, 1977 (second printing)/ 1977. The 12-page introduction is by Margaretta Mitchell. More
Danbury, Addison House Publishers, 1977. Photographers include Susan Sontag and Frederick Wiseman. More
Oakland, The Scrimshaw Press, 1977. Photographs taken at the section of the Stanford Children's Hospital devoted to cancer therapy 'to record on film the inner spirit of the place'. More
Cambridge, Polaroid Corporation, 1977. Some of the images are portaits; subjects include photographer Eve Rubinstein, and film directors Federico Fellini, Francesco Rosi, Marco Ferreri and Gillo Pontecorvo. Foreword by L. Fritz Gruber, introduction by Peter C. Bunnell. More
Phoenix, The Artist, 1977. Surrealist photocollages of nudes in American landscapes. The accompanying text is equally surreal, and we presume that the contributors - such as Amy Abletung (D.Symb.) of the Center for Creative Symbology, Mount Grundy, Iowa - are fictitious. More
Boston, New York Graphic Society, 1977. Provenance: with the ownership signature of Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). More