After Ninety
Seattle, University of Washington Press, 1977 (second printing)/ 1977. The 12-page introduction is by Margaretta Mitchell. More
Seattle, University of Washington Press, 1977 (second printing)/ 1977. The 12-page introduction is by Margaretta Mitchell. More
Seattle, University of Washington Press (for the Henry Art Gallery), 1978 (third printing, first paperback edition)/ 1974. The catalogue for an exhibition at the Henry Art Gallery, University of Washington, in 1974; the 10-page introduction is by Margery Mann. Index of Art in the Pacific Northwest, Number 7. More
Dayton, Wright State University Art Galleries, Inc., 1978. With several essays relating to d'Agostino's work, one of them an interview with Umberto Eco. More
Eindhoven, The Author, 1978. The text is in Dutch and English. More
Sandy Bay, Peter Dombrovskis Pty Ltd, 1983. More
Harmondsworth, Penguin Books, 1980 (revised edition)/ [1966]. Alfred Eisenstaedt (1898-1995) was a German-born American photographer and photojournalist whose career in 'Life' magazine began in 1935. More
London, Thames and Hudson, 1969. More
Washington, Lunn Gallery/ Graphics International Ltd., 1977. The prospectus for the first of three portfolios to be issued by the Walker Evans estate and distributed by the Lunn Gallery. More
East Sydney, Studio Magazines, [2003]. A Not Only Black and White special issue. More
New York, Arno Press, 1973 [facsimile edition]/ 1931 (tenth, revised and enlarged, edition). One of The Literature of Photography series. More
London, Thames and Hudson, 1971 (first English edition). More
London, Cape, 1993. Friedlander photographs 'language itself.... The book begins with the alphabet, moves into numerals, and then develops into sentences. The dynamics of this found language, photographed from the streets and walls of America, is heightened by the irregular grid of the book design'. Limited to 2750 copies. More
Köln, Galerie Rudolf Kicken, 1979. Exhibition catalogue. Introductory essay by Volker Kahmen; text in German and English. More
Tucson, Center for Creative Photography, The University of Arizona, 1980. Exhibition catalogue. More
Melbourne, [The Society], 1874. This issue also contains (among much else) FISON, Reverend Lorimer: The Classificatory System of Kinship (26 pages), and PAIN, H.E.: Abstract of a Paper on Aboriginal Art in Australasia, Polynesia, and Oceania, and its Decay (6 pages). More
London, Mitchell Beazle Publishers Limited, 1978. More
Malvern, Deutscher Fine Art, 1993. The catalogue gives details of 70 items for sale at the exhibition, held between 21 October and 23 November 1993. Loosely inserted is the price list (5 pages, printed rectos only, stapled at the top corner) which includes an additional item not listed in the..... More
London, Impressions Gallery of Photography, 1978. More
London, The Bodley Head, 1971. A Studio Book. More
Adelaide, W.K. Thomas, 1879. Holden 61; Ferguson 15986 (noting only an edition in wrappers, without the frontispiece). More
London, Bickers and Son, 1880. More
Sydney, State Library of New South Wales Press/ Power Publications, 1995. More
New York, Grossman Publishers/ A Division of the Viking Press, 1975/ 1971. More
Deventer, Thieme Art, 2010. Signed by the photographer on the title page. Text in Dutch, with an English translation at the rear. Loosely inserted are two related postcards. More
London, The Royal Photographic Society, June 1931. The first photogravure is 'Bewegungs Studie (Study of Movement) by Prof. Rudolf Koppitz of Vienna', featuring dancers from the Vienna State Opera Ballet. Rudolf Koppitz (1884-1936), was born in the Czech Republic; he was a Photo-Secessionist, and 'one of the leading representatives of..... More