The Adventures of Mr and Mrs Jim and Ron
London, Cape Goliard Press/ Grossman Publishers, 1970. More
London, Cape Goliard Press/ Grossman Publishers, 1970. More
Melbourne, Nelson, 1970. A 28-page memoir by Pearl plus 'the best of the drawings from "Old Colonial Architecture" [1924] together with several that have never before been published. They therefore form a new comprehensive collection of the best of Hardy Wilson's drawings' (dustwrapper). More
London, Thames and Hudson, 1970 (first English language edition). More
Glebe, Other Voices, 1970. With the ink ownership signature of University of Adelaide Professor of Architecture David Saunders (1928-1986) on the verso of the front cover of the first volume). A 'critical journal concerned with seeking an informed and discriminating assessment of contemporary Australian Art'. Not least, a contemporary interview..... More
La Paz, Impreso en Lito Unidas, 1970. Provenance: the surname 'Prescott' is written in ink at the foot of the verso. John Russell Prescott (1924-2011), was appointed Professor of Physics at the University of Adelaide in 1971, and from 1982 until his retirement in 1990 he was Elder Professor of..... More
New York, Editions Medicina Rara Ltd., [1970s] (facsimile edition)/ 1828. Number 1762 of 2500 copies thus (there were also 300 copies of a leather-bound deluxe edition). Loosely inserted is the publisher's 10-page booklet by Colonel Harold Wellington Jones, 'Charles Bell and the Origin of his Engravings of the Arteries' (slightly..... More
Los Angeles, G. Ray Hawkins Gallery, [circa 1970s]. Catalogue of a selling exhibition of 136 photographs, gravures and orotones by Curtis. More
[Adelaide], Brolga Books, 1970. The frontispiece photographic portrait of James Cant is signed and dated (1970) by him; the handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s. James Montgomery Cant (1911-1982) was married to fellow-Australian artist, Dora..... More
Taipei, National Palace Museum, 1971. More
Melbourne, Lansdowne Press, 1971. More
Chicago, University of Chicago, 1971. More
Melbourne, Nelson, 1971/ 1971. More
Baltimore and London, The Johns Hopkins Press, 1971. More
Woodbridge, Antique Collector's Club, 1971. Loosely inserted is the 10 page booklet 'Dictionary of Victorian Painters Price Review 1972' (slightly creased) by the same author, then the director in charge of Victorian paintings at Christie's. With over 2000 entries and over 300 illustrations. More
Leeds, Leeds Philosophical and Literary Society, 1971. With the pictorial bookplate, designed by Katharine Stafford, of G.A.Stafford. More
Adelaide, Nelson, 1971. More
London, A. Zwemmer Ltd, 1971. More
Bangkok, Siam Society, 1971 (second, revised, edition)/ 1965. Includes 52 pages of plates. More
[No Place], The Author, 1971. More
Washington, Dumbarton Oaks Research Library and Collection, 1971. More
London, R. Alistair McAlpine Publishing Ltd, April 1971. 'Rejoice in the Lamb' was 'commissioned in 1943 by an indefatigable champion of new music for the Anglican church, the Reverend Walter Hussey, in celebration of the 50th Anniversary of his church, St Matthew's, Northampton. Britten chose to set the then recently-published..... More
Adelaide, Hyde Park Press, 1971. Inscribed and signed by the author, with a self-caricature, 'To Ailsa, who introduced my work to South Australia (the best state) from Bernard Hesling'. The recipient was Ailsa Osborne of Osborne Art Gallery (Leigh Street, Adelaide, 1962-1978). More
London, Adam & Charles Black, 1971. More
London, R. Alistair McAlpine Publishing Ltd, 1971. Number 14 of only 20 copies with an original colour crayon drawing signed by Sidney Nolan. The limitation page indicates that there were 2890 copies of the standard edition, and 110 copies 'bound as de luxe edition | 20 copies with original drawings..... More
London, The Folio Society, 1971 (first thus). Translated, with an introduction, by George Bull. Michelangelo works selected by Peter Murray. More
London, Lund Humphries, 1971. 'Although the Fuller Collection is pan-Pacific ... its three main segments are derived from Polynesia, Melanesia and Australia. The areas most amply represented - and, consequently, those treated most extensively in this volume - are New Zealand and the Solomon Islands' (dustwrapper blurb). More
London, Phaidon, 1971 (first English edition). 'The first full-scale account of the work of the fifteenth-century Tyrolean painter and wood-sculptor to appear in English' (blurb). More
Turin, Edizioni d'Arte Fratelli Pozzo, 1971. Pamphlet Number 3 of the Egyptian Museum of Turin series; translated by Angela Coath. More
London, Thames and Hudson, 1972. More
Melbourne, The Hawthorn Press, 1972. Presentation copy from the author and further signed on the title-page. More
Melbourne, Lansdowne, 1972. One in the Lansdowne Australian Art Library series. More
Toronto, McClelland and Stewart, 1972. The 'most thorough visual record of Eskimo sculpture ever to be compiled' (from the dustwrapper blurb). The addenda relate mainly to items in the book that had subsequently been purchased by the Winnipeg Art Gallery. More
London, Secker and Warburg, 1972. Parallel English and French text. More
London, Batsford, 1972. More
New York, Museum of Modern Art New York, 1972. More
Salisbury, The Aloe, Cactus and Succulent Society of Rhodesia, 1972 to 1984. An unbroken run from issue 2 to issue 11. [10 items]. More
London, Thames and Hudson, 1972 [first English edition]. More
Geneva, Skira, 1972 (new edition)/ 1960. One of the Treasures of Asia series. More
Adelaide, School of Russian Language, 1972. More
Melbourne, The Hawthorn Press, 1972. More
Barcelona, Ediciones Poligrafa, 1972. One of the original Fotoscop series. Includes English translation. More
Mexico, Giniger and New York, Putnam, 1972 [first thus]. The half-title contains a lengthy gift inscription (Melbourne, November 1975) from Charles Bush to John Dowie (both Australian artists). More
(Adelaide, The Artist, 1972). More
London, Marlborough Fine Art (London) Ltd, 1972. Catalogue Number 257. Includes eight pages of full colour illustrations. More
London, Thames and Hudson, 1972. With the contemporary ownership signature of Kym Bonython. More
London, Penguin, 1972. Number Z36 in the Pelican History of Art series. More
Melbourne and Budapest, Hawthorn Press and Corvina, 1972 and 1987. With the prospectus for the second volume and a relevant photocopy loosely inserted. Meszaros designed the Olympic Games Melbourne 1956 medal, which was 'presented to all personnel connected with the organisation of the Olympic Games and also the 2830 runners..... More
Adelaide, School of Russian Language, 1972. With the presentation inscription from the publisher (?Sasha Griffin?) to Patrick McCaughey, renowned art historian and former Director of the Festival of Ideas. More
Luzern [Lucerne], Edition Bucher, 1972. Number 27 of only 300 copies of the standard edition (in a total of only 475 copies, including two deluxe versions limited to 100 and 75 copies respectively). More
London, Phaidon, 1972 (first English edition). More