African Art. Its Background and Traditions
New York, Konecky & Konecky, [1968]. More
New York, Konecky & Konecky, [1968]. More
St Lucia, University Queensland Press, 1968. Laid down on the front endpaper is an inscription handwritten by and signed by the artist. More
Melbourne, Sun Books, 1968. Signed by the Geoffrey Dutton and Max Harris on the verso of the half title. More
London, Thames and Hudson, 1968 (first English edition). More
Woollahra, Rudy Komon Gallery, 1968. The complete catalogue of etchings. More
London, Aldus Books, 1968. Photographs by Izis Bidermanas. Loosely inserted is a large postcard of Chagall's Fraumunster (1970), that is, Chancel Stained Windows. More
London, Faber, 1968 [first English language edition]. Comprehensive and richly illustrated. More
New York, Grosset & Dunlap Publishers, 1968 (revised)/ 1924. The artist's account of his voyage to the southern tip of South America, finally penetrating the mountainous regions of Tierra del Fuego. More
Paris, Mercure de France, 1968. Number 238 of 500 copies. [2 items]. More
Geneva, Editions Pierre Cailler, 1968. Limited to 700 copies (with the first 50 constituting a numbered deluxe edition containing an original woodcut). More
Fribourg, Office du Livre, 1968. Number 1196 of 1500 copies. A catalogue raisonné of the artist's graphic works. More
New York, Walker and Company, 1968. With a total of 786 illustrations. More
Canberra, Australian National University Press, 1968, 1973, 1976 and 1979. With the contemporary pencilled ownership signature of Alan Brissenden in Volumes III and IV. More
London, Faber and Faber Limited, 1968. Number 110 of 200 copies signed by both author and artist. More
London, Collins, 1968. With hundreds of colour illustrations. More
London, Williams Clowes and Sons Ltd., 1968 (sixteenth edition)/ 1900 and 1970. More
Sydney, Angus and Robertson, 1968 (first edition). Fifty of the sixty reproductions 'have never been published before. The unpublished work comprises fourteen drawings made in 1967-68, with other major works done between 1930 and the 1960s'. Provenance: Professor T.G.H. Strehlow, with his ownership signature ('University of Adelaide, 11th January, 1969')..... More
Berlin, Museum für Völkerkunde, 1968. Text in German. Veröffentlichungen des Museums für Völkerkunde Berlin. Neue Folge 16. Abteilung Südsee VIII. More
New York, Harry N. Abrams, Inc., [1968]. More
London, Hodder and Stoughton, 1968. Provenance: Pastor Gordon John Gerhardy (1933-2023), a Lutheran missionary in PNG, with his ink ownership signature on the front free endpaper. Not least, the distinctive art of the Pitjantjatjara. More
London, George Allen and Unwin Ltd, 1968 [first English edition]. A newspaper clipping of the author's obituary is loosely inserted. More
Melbourne, Oxford University Press in association with the Western Australian Museum, 1968. The author was Curator of Anthropology and Archaeology at the Western Australian Museum. The book is based on information gathered by him on five expeditions through the Kimberley, accompanied by Aboriginal guides and a professional photographer. More
Greenwich, New York Graphic Society Ltd., 1968. The title page is inscribed ('5.6.82 Sydney') and signed in ink by the artist, with three small illustrations. More
London, Thames and Hudson, 1969. The first definitive work in English on this mediaeval Italian master; with an introduction by Henry Moore (who collaborated with Ilario Bessi in taking the photographs). More
Los Angeles, University of California Press, 1969. More
London, Paul Hamlyn, 1969. One of the Art of Africa series. More
Melbourne, Lansdowne, 1969. More
New York, Abrams, 1969. More
New York, Tudor Publishing, [circa 1969]. Text in Spanish, English, French and German. More
London, Alec Tiranti, 1969. More
London, Monumental Brass Society, 1969 to 1984. [10 items]. More
Adelaide, Lidums Family, 1969. With the ownership signature of sometime Chief Stipendiary Magistrate of South Australia Victor Matison. More
London, Evelyn, Adams & Mackay Ltd, 1969. More
London, The Paul Mellon Foundation for British Art/ Routledge and Kegan Paul Limited, 1969. 'In addition, the extensive illustrated catalogue listing over 360 works serves to reveal the true stature of the period's most important painters' (dustwrapper). With the pencilled ownership signature of Alan Brissenden. Studies in British Art series..... More
London, Thames and Hudson, 1969. 'The Italian paintings of the 14th and 15th century paintings which have appeared in sale-rooms and private collections, mostly during the years between the two world wars, but whose whereabouts are [or were when he wrote] unknown. The number and quality of these works will..... More
Geneva, Nagel Publishers, 1969. More
London, The Paul Mellon Foundation for British Art/ Routledge and Kegan Paul Limited, 1969. Studies in British Art series. More
London, Thames and Hudson, 1969. More
New York, Hacker Art Books, 1969 (facsimile reprint)/ 1933. More
Christchurch, Art Galleries and Museums' Association of New Zealand, 1969. More
London, Harrap, 1969. More
Bath, Kingsmead Reprints, 1970/ 1952. More
London, Faber, 1970 (revised edition)/ 1948. Four new colour plates have been added to this edition, and several black and white plates have been replaced. More
London, Lutterworth Press, 1970. With the ownership signature of Sir Walter Crocker in pencil on the flyleaf. More
Bath, Adams and Dart, 1970 (first thus). More
London, Fischer Fine Art, [circa 1970's], 1978 and [circa 1977]. Excellent value. More
[Adelaide], Brolga Books, 1970. This copy is signed and dated (10 April 1970) by the artist under his frontispiece portrait; the handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s. He died in 1983 at the age of..... More
London, Thames and Hudson, 1970 (first English language edition). More
[Adelaide], Brolga Books, 1970. This copy is signed on the title page by the author, and signed and dated (1970) by James Cant, under his frontispiece photographic portrait. (The handwriting clearly shows the effects of advanced multiple sclerosis, the disease that had confined Cant to a wheelchair from the mid-1960s.)..... More