American Art of the Twentienth Century
London, Thames and Hudson, 1962. More
London, Thames and Hudson, 1962. More
London, Thames and Hudson, 1962. More
Mexico, Editorial Hermes, 1962. Text in Spanish. More
London, Phaidon, 1962. 'With 230 illustrations from original photographs by Otto Stein'. More
Melbourne, Georgian House, 1962. One of the Australian Art Monographs series. More
New York, Oxford University Press, 1962. Africa, Oceania and Native Americans. More
London, Thames and Hudson, 1963. More
Sydney, Angus and Robertson, 1963. More
Monte Carlo, André Sauret, 1963. A catalogue raisonné of the artist's lithographs, with all 147 items illustrated. Number 2944 of 4125 copies of the trade edition. More
Geneva, Pierre Cailler Ă©diteur, 1963 to 1970. (A) 'Tome III: 1930-1932'. 1963. 18, [10] (index) pages plus plates (comprising illustrations number 465-694) and a few leaves of letterpress text. (B) 'Tome IV: 1933-1935'. 1964. 16, [9] pages plus plates (comprising illustrations number 695-836) and a few leaves of letterpress text..... More
London, Thames and Hudson, 1963 (first English language edition)/ 1963. Translated by Anthony Christie. Edited by André Malraux and Georges Salles. Part of the 'The Arts of Mankind' series; with 6 pages on Australia and Torres Straits. More
Melbourne, Hodder and Stoughton, 1963. 'This is the tragic story of the talented tribesman whose paintings of Central Australia brought him fame and fortune. Here is told the story of his struggle for recognition and his endeavour to fulful his obligations under tribal laws and to white society' (from the..... More
Melbourne, Hodder and Stoughton, 1963. 'This is the tragic story of the talented tribesman whose paintings of Central Australia brought him fame and fortune. Here is told the story of his struggle for recognition and his endeavour to fulful his obligations under tribal laws and to white society' (from the..... More
New York, Harry N. Abrams, 1964. This is one of a limited edition of 1000 copies signed by the author. More
St. Augustin, Anthropos, 1964. The engravings were first described in 1914 by Dr Herbert Basedow; this paper considers some of his suggestions in the light of increased knowledge. More
Paris, Presses Universitaires de France, 1965. Text in French. Publications du Musée Guimet. Recherches et documents d'art et d'archéologie, tome IX. More
London, Jonathan Cape, 1965. More
Sydney, Angus and Robertson, 1965. More
Sydney, Ure Smith, 1965. More
Melbourne, Thomas Nelson, 1965/ 1964. Illustrations by Elizabeth Durack. More
Croydon, Longmans, 1965 (reprint)/ 1961. One of the Arts in Australia series. More
Geneva, Nagel Publishers, 1965. More
London, Methuen, 1965. With the ink ownership signature of John Strehlow on the first blank. In all, 122 tribes are 'represented by a single characteristic sculpture, displaying the essential formal qualities of the art of the tribe... So, with few exceptions (some of which are noted in this volume), the..... More
London, Thames and Hudson, 1966. More
Vermont, Tuttle, 1966. More
London, Thames and Hudson, 1966 (first English edition). With the ownership signatures of T.G.H. Strehlow, and inscribed 'University of Adelaide, 4 March 1969'. More
London, Academy Editions, 1966. More
[Richmond], Associated World Public Relations for The Kiwi Polish Company Proprietary Limited, [1966]. Not least, the 15 colour illustrations of paintings by well-known artists include John Gould, Jeffrey Smart, Frank Eidlitz, Winston Thomas and Donald Friend. Loosely inserted is a reproduced presentation letter on the publisher's letterhead. More
Berlin, Museum für Völkerkunde, 1966, 1966 and 1968. Veröffentlichungen des Museums für Volkerkunde Berlin, Neue Folge 10, Abteilung Südsee V; Neue Folge 11, Abteilung Südsee VI; and Neue Folge 15, Abteilung Südsee VII. The text is in German. [3 items]. More
Sydney, Angus & Robertson, 1966. Number 57 of only 150 copies signed by the artist. 'Preface and Commentary by Norman Lindsay. Foreword by Douglas Stewart. Photographed by Quinton F. Davis'. More
Canberra, Australian Institute of Aboriginal Studies, 1966. Australian Aboriginal Studies Number 24, Prehistory and Material Culture Series Number 4. More
London, Macmillan, 1967. With the bookplate of Geoffrey Farmer on the pastedown. More
London, Lund Humphries, 1967. Middows Brothers 'With Compliments' card attached to flyleaf. More
London, Paul Hamlyn, 1967. More
[London, Agnew's], 1967. More
London, Penguin, 1967. Number Z29 in the Pelican History of Art series. More
London, MacDonald, 1967/ 1888 [second edition]/ 1873. More
London, Phaidon, 1967 (first edition). More
Cape Town, Purnell, 1967. A large label mounted on the verso of the front flyleaf records that this is number 270 of 400 copies of the Collector's Edition, signed by both authors and the two principal artists. More
Frankfurt, Umschau Verlag, 1967 and 1966 (various impressions)/ 1959-1965. Text in German. The titles are: Baukunst der Renaissance in Europa; Baukunst der Gotik in Europa; Baukunst der Romanik in Europa; Baukunst des Barock in Europa, and Vorromanische Kunst und Ihre Wurzeln. More
London, Thames and Hudson, 1967. The half-title is signed in ink by Arthur Boyd. More
Canberra, Australian National University Press, 1967. Edited by J.E. and Samuel Shumack; the book was written in the 1920s. More
New York, The Museum of Primitive Art, 1967. Number Two in the series 'The Museum of Primitive Art Handbooks'. More
New York, Museum of Primitive Art, 1967. 'With his ethnographic notes and photographs made among the Asmat people during two expeditions in 1961. Documented by a pictorial and descriptive catalogue of the objects he collected. Edited with an introduction by Adrian A. Gerbrands' (subtitle). The objects in the annotated catalogue..... More
London, Thames and Hudson, 1967. The half-title is signed in black ink by Arthur Boyd. More
Sydney, A.H. and A.W. Reed, 1967 (facsimile edition)/ 1847. One of 1000 copies of this high-quality facsimile. The illustrations comprise views of the fledgling city of Adelaide and outlying settlements, the topography, flora and fauna, and the Indigenous people and their lives. Some 22 of the 60 plates (and the..... More
[Melbourne, National Gallery of Victoria, 1967]. With the ink ownership signature of Ruth Tuck on the title page. Exhibition catalogue; not least, Jasper Johns, Willem de Kooning, Roy Lichtenstein, Jackson Pollock, Robert Rauschenberg, James Rosenquist, Mark Rothko, Cy Twombly and Andy Warhol. More
London, Ariel Press, 1967 to 1978. [6 items]. More