Wisdom of the Mountain. Art of the Ömie
Melbourne, National Gallery of Victoria, 2009. Contributions from Drusilla Modjeska and Alban Sare. This catalogue accompanied an exhibition held at the NGV from 27th November 2009 to 21st March 2010. More
Melbourne, National Gallery of Victoria, 2009. Contributions from Drusilla Modjeska and Alban Sare. This catalogue accompanied an exhibition held at the NGV from 27th November 2009 to 21st March 2010. More
Woodbridge, Antique Collectors' Club, 1983 (revised)/ 1974. With a 1988 revised price list loosely inserted. More
Medindie, Souvenir/ Brolga Books, 1978. More
Leningrad, Aurora Art Publishers, 1985 (enlarged and revised edition)/ 1977. More
Sydney, Angus & Robertson, 1982. This book describes the work produced by Bannon at his Paddington Print Studio for other artists; this copy is inscribed and signed by the artist. More
San Francisco, The San Francisco Craft and Folk Art Museum, 1995. Exhibition catalogue. More
New York, The Metropolitan Museum, 1988. More
Adelaide, Rigby, 1979. The first book published on the Papunya painting movement, by the man responsible for its development, presenting 'twenty-four of the best paintings by twenty artists who are recognised leaders'. More
Ringwood, McPhee Gribble, 1991 (first thus). A substantially revised edition of the author's first book published in 1979 (the first book on the subject). The colour illustrations, reproducing approximately 50 paintings, are often accompanied by an explanatory diagram by Judith Ryan. More
Carlton, The Miegunyah Press (an imprint of Melbourne University Press), 2006 (fourth impression)/ 2004. Number 58 in the second numbered series of Miegunyah volumes. 'Bardon's exquisitely recorded notes and drawings reproduced here document the early stages in this important art group. This landmark book features more than five hundred paintings..... More
London, The Folio Society, 1986. Edited by Sebastian Barker. 'The poets ... have been selected from those born in the first forty years of the century (1897-1939), writing and publishing in Ireland, Scotland, Wales and England' (Preface). More
Sydney, The Author, 1938. Number 101 of only 200 copies signed and sealed by the author (and hand-set and printed by Harrie Mortlock at the Beacon Press). Loosely inserted is a four-page pictorial prospectus headed 'Japanese Colour-Prints', advertising the author's other books on the subject. Percy Neville Barnett (1881-1953), author..... More
Sydney, Privately Printed for the Author by the Beacon Press, 1936. 'To mark the occasion of the appearance of "Japanese Colour-Prints" in the month of October, 1936, 65 copies of this Souvenir have been issued for presentation by the author'. This copy, number 40, signed and sealed by the author..... More
The bookplates, in uniformly fine condition, are all recorded by Peake. They are for the artist himself (signed); Philip Neville Barnett (signed); Mollie and Gerald Walters (signed); Alison Ellis (signed); Lyster Ormsby (signed); and Arthur Robinson. Provenance: H.B. (Harry) Muir (1909-1992), bookseller, publisher and bookplate collector; by descent. [6 items]..... More
London, Cassell/ Studio Vista, 1980. More
Leningrad, Aurora and New York, Abrams, 1982. More
London, Royal Anthropological Institute of Great Britain and Ireland, 1914. The volume contains another 22 articles, including Daisy M. BATES: A Few Notes on some South-Western Australian Dialects (pages 65-82); R.J.A. BERRY and others: The Craniometry of the Tasmanian Aboriginal (pages 122-126); Elsdon BEST: Ceremonial Performances pertaining to Birth, as..... More
Adelaide, RSSA, 1904. This issue also contains articles by Professor W.H. Bragg, Walter Howchin, J.G.O. Tepper, and Dr J.C. Verco, among others. More
Adelaide, RSSA, 1904. This issue contains a further 14 articles, including another one by Basedow, and half a dozen from household names like Bragg, Howchin, Tepper, Verco and Woolnough. More
Melbourne, Museum Victoria and National Aboriginal Cultural Institute Tandanya, 2006. 'This book accompanies an exhibition that has been developed by the National Aboriginal Cultural Institute Tandanya and Museum Victoria, first showing as part of the Adelaide Festival' (from the foreword). Includes essays by Dick Kumber, Jeremy Long and John Kean..... More
London, George Baxter, 1844. 'A scene connected with the Wesleyan Missionary Society and the Maories [sic]. Mr Waterhouse, general superintendent of that Society's Missions in Australia and Polynesia, is seen introducing to the natives Mr Creed (their new missionary) and his wife. The detail is wonderful and the colouring beautiful..... More
Sydney, Ure Smith, 1965. More
New York, Alpine Fine Arts Collection, 1981. More