Early Eighteenth-Century Sculpture in Rome. An Illustrated Catalogue Raisonne. Text. [Together with]: ... Plates
University Park, Pennsylvania State University Press, 1976. More
University Park, Pennsylvania State University Press, 1976. More
[Ernabella], Ernabella Arts Incorporated, 1998. Not least, interviews with artists Nura Rupert, Nyukana Baker and Tjulkiwa. More
London, Collins, 1968. With hundreds of colour illustrations. More
Houston, Menil Foundation and Cologne, M. DuMont Schauberg, 1975. One of 1500 copies; the text is in German, English and French. The first volume of 'Max Ernest Oeuvre-Katalog', under the general editorship of Werner Spies. More
Stuttgart, Editions Medicina Rara, [c. 1975]/ 1714. Copy number 2016 of 2300 copies bound in quarter-leather (with a further 500 copies bound in full leather). Facsimile reprint of the original 1714 edition. Together with the 20-page publisher's introductory pamphlet (front cover lightly creased). Bartolomeo Eustachius (circa 1510/20-1574) completed the plates..... More
Sydney, The Flannel Flower Press, 1980. One of 2000 numbered and signed copies (the number of this copy - 40 - has been concealed with liquid paper). 'The Lithgow Pottery's extensive range of teapots, jugs, bowls, jars, urns and other domestic wares was made on a large scale for only..... More
Scoresby, The Five Mile Press/ Australian Photographic Gallery, 2014. The halls, churches, chambers, temples, theatres, sheds and lean-tos of rural Australia in vivid colour. All states (save one) are represented. More
London, Thames and Hudson, 1996 [first edition]. 'With over 235 illustrations, 47 in colour'. More
Adelaide, Printed by The Hassell Press, 1931. The catalogue contains 1776 entries, each containing a short description of the item and (frequently) the name of the lender. More
Adelaide, The Hassell Press [Printers], 1931. The catalogue contains 1776 entries, each containing a short description of the item and (frequently) the name of the lender. More
New York, Metropolitan Museum of Art, 1992. Features over 160 works of Benin sculpture. More
London, Methuen, 1965. With the ink ownership signature of John Strehlow on the first blank. In all, 122 tribes are 'represented by a single characteristic sculpture, displaying the essential formal qualities of the art of the tribe... So, with few exceptions (some of which are noted in this volume), the..... More
London, Collins, 1982. Edited by Bryce Holcombe. More
Sydney, John Fairfax and Sons, 1941. More
London, Black Dog Publishing Limited, 2002. More
London, Fanfrolico Press (but printed at the Westminster Press), [1929]. Number 30 of 500 copies. More
Adelaide, Advertiser Newspapers, 1983. Inscribed with a short bit of doggerel ('In my retirement/ This small requirement/ Fishing, wishing and dishing'), dated (August 8, 1984) and signed by the author. More
New York, Rizzoli, 2002. More
Urbana, Krannert Art Museum, University of Illinois at Urbana-Champaign, and University of Illinois Press, 1991. A catalogue of an exhibition of Fehl's 'capricci', with an introductory essay by Maurice E. Cope. This is a presentation copy, with the front free endpaper inscribed and signed 'For Father Leonard Boyle, O.P. |..... More
London, The Redfern Gallery/ Le Cadre Gallery/ Cacklegoose Press, 2002. Exhibition catalogue with 48 colour illustrations. More
London, Thames and Hudson, 1961. More
Woolloomooloo, Print Room Press and Odana Editions, 1982. Each plate is numbered 14 in an edition of only 50 copies, embossed 'Authorized Posthumous Edition, Adrian Feint 1982'. The Print Documentation sheets (no longer present) stated that these etchings were 'printed from the original plates by Peter Hickey as authorized by..... More
Los Angeles, Fowler Museum of Cultural History, University of California, 1994. More
New York, Rizoli, 1997 [first edition]. With essays by Tilmann Buddensieg, Fritz Neumeyer and Stephan Braunfels. More
Benfleet, Lewis, 1935. Limited to 500 copies. More