Beauty, Horror and Immensity. Picturesque Landscape in Britain, 1750-1850. Exhibition selected and catalogued by ... Fitzwilliam Museum, Cambridge, 7 July-31 August 1981
Cambridge, Cambridge University Press, 1981. More
Cambridge, Cambridge University Press, 1981. More
New York, Columbia University Press, 1955. More
Los Angeles, University of California Press, 1969. More
Norwood, Sydenham Gallery, 1976. Inscribed 'With thanks', and signed by the author. Copies of this book are usually numbered and limitation-stamped (one of 1500 copies). More
Norwood, Sydenham Gallery, 1976. Number 984 of 1500 copies signed by the author. More
London, David Black Oriental Carpets, 1977. More
Adelaide, Rigby in association with Mead and Beckett Publishing, 1979. More
South Melbourne, Macmillan, 1988. A 'celebration of a great natural phenomenon ... (by) Australia's greatest living Romantic painter [in a] major series of paintings, drawings and etchings' (Introduction). More
London, Andre Deutsch Limited, 1989. Signed on the flyleaf by Charles Blackman (late in life). More
London, Andre Deutsch Limited, 1989. The title page is signed by both Charles Blackman and Thomas Shapcott. More
Melbourne, National Gallery of Victoria, 2006. A lavish catalogue issued in conjunction with an exhibition of the same name, held at the Ian Potter Centre, August-October 2006. A cloth-bound edition published simultaneously sold out at the time. More
London, Oxford University Press, 1927. More
London, Studio Vista/ Christie's, 1979. Flaxman, one of William Blake's circle of friends, also produced designs for Josiah Wedgewood. More
Melbourne, Heinemann, 1985/ 1985. Signed and inscribed by the artist. More
Amsterdam, Van Gogh Museum, 1996. The book was published to accompany the exhibition of the same name held at the Van Gogh Museum, Amsterdam and the Henry Moore Institute, Leeds. More
London, The Folio Society, 1989 (first thus). Introduction by Jon Stallworthy. More
Woodbridge, Antique Collectors' Club (and the Royal Botanical Gardens, Kew), 1995 (reprint)/ 1994 [new edition, revised and enlarged]/ 1950. A reprint of the 1994 edition substantially revised and enlarged by Professor Stearn, with a greatly extended chapter on the twentieth century and more than twice as many colour plates as..... More
Adelaide, FORM, 2011. Dated (2015) and inscribed and signed in ink by the artist on the half-title. Exhibition catalogue. More
Kent Town, Wakefield Press, 2007. Dated (3 August 2007) and signed in ink by the artist on the half-title. Loosely inserted is the artist's business card, inscribed and signed by the artist, and a small sheaf of related ephemera which includes several postcards of the artist's work and two copies..... More
[Sydney, Leslie Board, circa 1910s]. A Christmas souvenir featuring 12 colour plates from paintings by Leslie Board, each a illustrating a couplet or quatrain from an Australian poet. Banjo Paterson, Adam Lindsay Gordon and Henry Lawson are all represented. This is likely a variant of 'Gems from Australian Poets', published..... More
London, Academy Editions, 1973 (first English edition). The author was Director of the Ethnographical Museum of Budapest; translated by Eva Rácz. More
New York, Metropolitan Museum of Art, and New Haven, Yale University Press, 2005. This substantial study was issued in conjunctoion with an exhibition of the same name. More
Barcelona, Ediciones Poligrafa, 1995. More