The Pitjantjatjara and their Crafts
North Sydney, The Aboriginal Arts Board, Australia Council, 1987 (third printing)/ 1975. More
North Sydney, The Aboriginal Arts Board, Australia Council, 1987 (third printing)/ 1975. More
Adelaide, E. Spiller, Government Printer, [1880s]. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 17 in the bottom right-hand corner of the sheet, and initialled in the image 'R.C.F.' (Rosa Catherine Fiveash). From soon after publication Harcourt Barrett was confronted with a popular..... More
Adelaide, E. Spiller, Government Printer, [1880s]. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), initialled in the image 'R.C.F.' (Rosa Catherine Fiveash). From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible for the..... More
Adelaide, E. Spiller, Government Printer, [1880s]. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 26 in the bottom right-hand corner of the sheet. From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible..... More
Adelaide, H.F. Leader, Government Printer, [1880s]. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 44 in the bottom right-hand corner of the sheet. From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible..... More
Adelaide, E. Spiller, Government Printer, [1880s]. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890). From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible for the plates as published. Eventually, enough became too much..... More
Adelaide, H.F. Leader, Government Printer, [1880s]. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 43 in the bottom right-hand corner of the sheet. From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible..... More
Adelaide, H.F. Leader, Government Printer, [1880s]. An original large-format chromolithograph from John Ednie Brown's 'Forest Flora of South Australia' (1882-1890), numbered 45 in the bottom right-hand corner of the sheet. From soon after publication Harcourt Barrett was confronted with a popular conception that Rosa Fiveash was wholly or principally responsible..... More
Secaucus, Wellfleet (but Spring Books is printed at the foot of the spine of the book and dustwrapper), 1989 (first thus)/ 1968. More
Kuala Lumpur, Oxford University Press, 1977. A few Art Gallery of SA stamps. More
Brisbane, University of Queensland Art Museum, 2000. More
Brisbane, University of Queensland Art Museum, 2000. Inscribed, dated (8 August 2001) by the artist (and his wife, artist Edit Richards). More
Ghent, Snoeck-Ducaju, 1997. A catalogue 'presenting a selection [of 79 items] from the group of around four hundred objects that go to form the Oceania collection' (mainly Melanesian, with a few items from Micronesia and Polynesia). The text in mainly in Dutch, with short descriptions of each item in English..... More
Paris, Editions Michèle Trinckvel, Draeger, 1979. A catalogue raisonné of Buffet's lithographs from 1952 to 1979. More
London, Academy Editions, 1982. More
London, Merrell, 2012. More
London, MacDonald, 1967/ 1888 [second edition]/ 1873. More
Oxford, Phaidon Press, 1980. More
Canberra, Australian National Gallery, 1991. More
Melbourne, Greenhouse Publications, 1983. More
London, Hamlyn, 1973. With photographs by Werner Forman. More
London, Jonathan Cape, 1965. More
London, Red Fox, 1993 (first thus)/ 1964. Inscribed and signed by the author to 'Juliana' [Bayfield], State Library of South Australia children's collection librarian. More
Esher, Edward Burrett at The Penmiel Press, 1985. Number 52 of 150 copies (140 of which were for sale) signed by the author/ publisher. With the bookplate of Ann and Geoffrey Long, designed by Pixie O'Harris. More
Frankfurt, Umschau Verlag, 1967 and 1966 (various impressions)/ 1959-1965. Text in German. The titles are: Baukunst der Renaissance in Europa; Baukunst der Gotik in Europa; Baukunst der Romanik in Europa; Baukunst des Barock in Europa, and Vorromanische Kunst und Ihre Wurzeln. More