When the Murray Meets the Mississippi. A Survey of Australian and American Lutheran Contacts, 1838-1974
Adelaide, Lutheran Publishing House, 1975. More
Adelaide, Lutheran Publishing House, 1975. More
[USA], Eastern National Park & Monument Association, 1975 (facsimile reprint)/ 1881. 'A standard reference work on the Siege of Yorktown, the climactic battle of the American Revolution' (Foreword). More
New York, Morgan & Morgan, Inc., March 1975 (second impression)/ April 1974. The half-title is signed in ink by Ansel Adams. The text is contributed by Edwin Land, David H. McAlpin, Jon Holmes and Ansel Adams. More
Berkeley, David McPhail, 1975. More
New York, Grossman Publishers/ A Division of the Viking Press, 1975/ 1971. More
New York, McGraw-Hill Book Company, 1975. Featuring illustrations from photographs by Walker Evans, Ben Shahn, Dorothea Lange, Marion Post-Wolcott, Carl Mydans, Russell Lee, Jack Delano, Arthur Rothstein, and John Vachon. Introduction by Hiag Akmakjian. More
London, The Folio Society, 1975 (second impression)/ 1973 (first thus). Introduction by Martin Ridge. More
San Fransisco, Straight Arrow Books, 1975. Dated (1977) and signed in ink by Bill Owens on the half-title. 'Owens uses his camera with cutting synpathy, His pictures are gentle, instructive and disturbing without being obvious or overdidactic' (rear cover). More
Cambridge, Harvard University Press, 1975. More
Boston, David R. Godine, Publisher, 1975. Contemporary Photographers Series number 2. More
Baltimore, John Hopkins University Press, 1976. More
New York, Abrams, 1976. More
Minneapolis, Minneapolis Institute of Arts, co-sponsored by The Minneapolis Regional Native American Center, 1976. The catalogue was produced in conjunction with an important exhibition of the xsame name. More
Boulder, Pruett Publishing Company, 1976. More
Milwaukee, Kalmbach Books, 1976 (second printing)/ 1974. More
Barcelona, Ediciones Poligrafa, 1976. Preface by Harold Rosenberg. With numerous illustrations (some in colour). More
New York, The Museum of Modern Art, 1976. The book accompanied an exhibition at the Museum of Modern Art (the first one-man exhibition that featured colour photography). The ten-page foreword is by John Szarkowski, the curator of the exhibition. More
[Oxford], Arts Council of Great Britain, 1976. Exhibition catalogue of works from the collection of the Museum of Modern Art, New York. More
Berkeley, Creative Arts Book Company, 1976 (first thus). Edited and with an introduction by Barry Gifford. More
London, Ian Allan, 1977. "As well as describing comprehensively all the major transatlantic liners of the Twentieth Century, (the author) has included in this book many of the smaller and less well-known passenger ships" More
Nashville, Battery Press, 1977/ 1945. More
Sydney, Rollins H. Mayer, 1977. Not stated, but from the collection of (Professor) Brian Medlin. More
London, Angus and Robertson, 1977. More
Manila, Social Studies Publications, 1977. Inscribed, dated (27 August 1987) and signed to 'Sam Jacobs' (Justice Samuel Jacobs QC) from 'Sybil & Asher' (Sybil Joel née Jacobs). 'An historical narrative of three generations of the Zosa family of Tacloban, provincial capital of Leyte Island, where the Americans made their first..... More
Honolulu, University Press of Hawaii, 1977. With the tropical bookplate of British anthropologist Dr Henry Evans Maude (1906 - 2006), who specialised in Pacific studies. ASAO Monograph Number 5. More
London, Angus and Robertson, 1977. More
London, The Folio Society, 1977 (first edition). Translated from the Spanish, and with an introduction, by William C. Atkinson. More
Sydney, Associated Newspapers Ltd, [circa 16 August 1977]. Provenance: the personal collection of David Lovatt, proprietor of Bank Street Records, Adelaide (1985-1994). More
New York, Aperture, Inc., 1977. The book was published in conjuction with a travelling exhibition, 'A Retrospective of the Photographer Lewis W. Hine, 1874-1940'. More
Washington, Lunn Gallery/ Graphics International Ltd., 1977. The prospectus for the first of three portfolios to be issued by the Walker Evans estate and distributed by the Lunn Gallery. More
Seattle, University of Washington Press, 1977 (second printing)/ 1977. The 12-page introduction is by Margaretta Mitchell. More
Danbury, Addison House Publishers, 1977. Photographers include Susan Sontag and Frederick Wiseman. More
Oakland, The Scrimshaw Press, 1977. Photographs taken at the section of the Stanford Children's Hospital devoted to cancer therapy 'to record on film the inner spirit of the place'. More
Cambridge, Polaroid Corporation, 1977. Some of the images are portaits; subjects include photographer Eve Rubinstein, and film directors Federico Fellini, Francesco Rosi, Marco Ferreri and Gillo Pontecorvo. Foreword by L. Fritz Gruber, introduction by Peter C. Bunnell. More
Phoenix, The Artist, 1977. Surrealist photocollages of nudes in American landscapes. The accompanying text is equally surreal, and we presume that the contributors - such as Amy Abletung (D.Symb.) of the Center for Creative Symbology, Mount Grundy, Iowa - are fictitious. More
Boston, New York Graphic Society, 1977. Provenance: with the ownership signature of Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). More
[No Place], Tabard, 1978. More
Dunedin, John McIndoe, 1978. More
San Francisco, Alan Wofsy Fine Arts, 1978 (revised edition)/ 1910. 'Whistler produced 448 etchings, all of which are described in this volume. This new edition contains reproductions of 446 of the etchings, including 25 in two states. Fourteen of the etchings are reproduced here for the first time' (dustwrapper blurb)..... More
London, Scolar Press, 1978 (reprint)/ 1976. Houghton Library Manuscript Facsimiles I. More
Boston, David R. Godine, 1978. Introduction by Hilton Kramer. More
San Francisco, Harper & Row, 1978. A Headlands Press book. More
Dobbs Ferry, Morgan & Morgan, 1978. Introduction by Robert Coles. With the pencilled ownership signature of Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). More
San Francisco, NFS Press, 1978. 'An influential figure in the Bay Area art scene in the late 1970s and early 80s, Thomas, aside from making and showing his work, also organized group exhibitions for local nonprofit art spaces and museums, and published books with Donna-Lee Phillips under the imprint NFS..... More
Seattle, University of Washington Press (for the Henry Art Gallery), 1978 (third printing, first paperback edition)/ 1974. The catalogue for an exhibition at the Henry Art Gallery, University of Washington, in 1974; the 10-page introduction is by Margery Mann. Index of Art in the Pacific Northwest, Number 7. More
New York, Dover Publications, Inc., 1978 (second edition, expanded)/ 1960. This edition adds 35 extra illustrations from photographs. Foreword by Beaumont Newhall. More
Frankfort, Gnomon Press for Virginia Polytechnic Institute & State University, 1978. The catalogue for a travelling exhibition featuring works by Lyle Bongé, Alex Harris, Paul Kwilecki, John McWilliams, Sally Mann, Robert C. May, Ralph Eugene Meatyard, John Menapace, Guy Mendes, Bart Parker and Evon Streetman. More
St. Louis, University of Missouri-St. Louis Publications Office, 1978 (third printing)/ [1978]. Exhibition catalogue, introduction by Jean S. Tucker. More
Dayton, Wright State University Art Galleries, Inc., 1978. With several essays relating to d'Agostino's work, one of them an interview with Umberto Eco. More
North Hollywood, Beinfeld, 1979. Single Action Army Revolvers. More