The Australian Aboriginal Heritage. An Introduction through the Arts
Sydney, Australian Society for Education through the Arts in association with Ure Smith, 1973. More
Sydney, Australian Society for Education through the Arts in association with Ure Smith, 1973. More
Sydney, Australian Society for Education through the Arts/ Ure Smith, 1978 (second, amended and corrected, edition)/ 1973. With a one-page foreword to this edition by Ronald Berndt (who has also added references which bring the book up to date). Aside from the editors, contributors include Catherine H. Berndt, Catherine Ellis..... More
New York, Portland House, 1989. More
Evans was second officer of the 'Morning', the ship sent out by the Royal Geographical Society in 1904 to the relief of Scott's first Antarctic expedition. In 1909 he was selected by Scott himself as second-in-command of his second expedition and captain of the 'Terra Nova'. He accompanied Scott in..... More
Adelaide, Carey, Page & Co., Printers ("Published under the Author's own immediate Supervision"), 1885. The lithographs are a frontispiece view after Skipper, 15 full-page portraits and one plate containing three portraits; the photographs are of the Governor (and dedicatee) Sir William Robinson (140x88mm, by Hammer and Co.) and Loyau (98x58mm..... More
Melbourne, Oxford University Press, 1969. Signed in ink on the title page by both authors. Sir Edward James Ranembe Morgan (1900-1977), judge, local historian and sometime president of the National Trust of South Australia and foundation board-member of the National Gallery of South Australia. Stephen Hamilton Gilbert (1910-1979) took the..... More
New York, Arno Press, 1973 [facsimile edition]/ 1931 (tenth, revised and enlarged, edition). One of The Literature of Photography series. More
Canterbury, Printed and Published by Gibbs and Sons, 1889. More
Adelaide, Carey, Page & Co., Printers ('Published under the Author's own immediate Supervision'), 1885. The photographs are of Captain Samuel White Sweet (130 × 71 mm, presumably a self-portrait), and George Loyau (98 × 58 mm, credited in the negative to George & Walton: he is facing the camera, with..... More
London, Jonathan Cape, 1988. More