The British Broadside Ballad and its Music
New Brunswick, Rutgers, 1966. More
New Brunswick, Rutgers, 1966. More
London, John Murray, 1934 (first edition). More
Angurugu, Angurugu Press, 1981. Clan songs translated into English by Judith Stokes and Aboriginal Advisers from recordings by Alice Moyle with permission; cover design from a bark painting by Nanjiwarra Amagula with permission. More
Printed on the verso of the card are the details of the Plymouth (Devon) photographer John E. Palmer, 'Royal Letters Patent Dated 1872'. Both the card and the photograph are in excellent condition. The subject is presumably a local identity; the period is probably the 1870s. The 'Jesus Only' banner..... More
Sydney, Angus and Robertson, 1971. The detailed four-colour map of Aboriginal Central Australia is based on information from Strehlow's field note books, 1932-1969; an extensive index is printed on the verso. 'The first complete account of the poetic heritage of the aboriginal people of Central Australia; an analysis of aboriginal..... More
Sydney, [Printed by] V.S. French & Co., 1928. The inkstamp of the local distributor (Gladiola Co., Waymouth Street, Adelaide) is on the front cover. More
[No Place, No Publisher, No date, 1970s facsimile]. With the ownership signature of Lucien Parent. More
Middleburg, Middleburg Press, 1961. Warmly inscribed, dated (10 June 1968) and signed by the author to Lucien Parent. More
Wuppertal, Dr Wolfgang Schwarze, 1981. Inscribed, signed and dated (8 August 1982) by Ruth Tuck (1914-2008), the South Australian artist, to Veda Swain at Greenhill [Galleries] in North Adelaide. 'I love music and go to concerts frequently; always with a sketchbook and pen. I do not attempt an exact portrait..... More
Adelaide, Hunkin, Ellis & King, General Printers, [1911]. More
Frankfurt, Verlag das Musikinstrument Frankfurt am Main, 1983. Ancient and medieval stringed instruments from around the world. Text in German. More
Budapest, Konemann Music, 1994 (reprint). Text in German. The full orchestral score of the First Part of The Ring of the Nibelungen. More
Budapest, Konemann Music, 1993 (reprint). Text in German. More
Budapest, Konemann Music, 1993 (reprint). Text in German. More
Budapest, Konemann Music, 1993 (facsimile reprint). More
New York, G. Schirmer, 1925/ 1897. Vocal score. Text in English and German. English version by Rev. J. Troutbeck, DD, and Dr Theo. Baker. With the contemporary bookseller stamp of Allan's, 278 Collins Street, Melbourne. More
Budapest, Konemann Music, 1993 (reprint). With a 24 page copy of the Libretto as translated by Professor Brian Coghlan (ABC, 1989) and the relevant radio program (a single sheet) loosely inserted. Text in German. More
New York, G. Schirmer, 1932/ 1903. Vocal score. Text in English and German. English translation by Frederick Jameson. With the ownership signature of T.G.H. Strehlow, and inscribed 'University of Adelaide, 28 February 1970 (bought in Melbourne). More
Budapest, Konemann Music, 1993 (reprint). Text in German. More
Budapest, Konemann Music, 1994 (reprint). Text in German. The full orchestral score of the Third Part of The Ring of the Nibelungen. More
Budapest, Konemann Music, 1993 (facsimile reprint). More
Budapest, Konemann Music, 1993 (reprint). With 4 pages of musician's notes loosely inserted. Text in German. More
Adelaide, The Richard Wagner Society of South Australia Inc., 2001. Includes the CD in a tipped-in end-pocket. More
Hobart, Museum of Old and New Art, 2010. 'I'm not trying to show that art is this or that thing. And I'm not trying to show that we make art for this or that reason. For the moment I'm just trying to show that art is a complex thing and..... More
[Adelaide], Arts Council of South Australia, 1992. Signed and dated (17.10.92) by the author, and with an intriguing presentation inscription, dated the same day. More