London, The Fanfrolico Press, [1929]. The frontispiece illustration is reproduced on the front panel of the dustwrapper, which carries the subtitle 'A Novel in Dialogue form'. More
Sydney, Angus and Robertson, 1965. More
North Ryde, Angus & Robertson, 1987. More
Sydney, Published for the Author by 'Art in Australia', 1920. One of 120 copies (of which only 100 were for sale), with an original signed etching by Norman Lindsay tipped in (Number 39). Provenance: R.M. Chirnside, with his John Shirlow-designed bookplate (featuring the racehorse 'Linass') on the front pastedown... More
[Sydney], Angus and Robertson, 1977 [first edition]. More
All of the bookplates are recorded by Peake. Most of the plates are relief prints from process blocks, but two have the pencilled annotation 'N. Lindsay | Wood' on the reverse. These two are the very early plates for H.R. Conant (1897) and R. Parkinson (circa 1898), and appear to..... More
Sydney, Angus & Robertson, 1963 ('New edition')/ 1918. Norman Lindsay has added to the front flyleaf a charming original pencil drawing of Bunyip Bluegum, and a signed inscription - 'A Slice of Pudden' for [Carl Strehlow] from Norman Lindsay' (overall dimensions 120 × 115 mm). The recipient was the son..... More
Sydney, Angus & Robertson, 1966. Number 57 of only 150 copies signed by the artist. 'Preface and Commentary by Norman Lindsay. Foreword by Douglas Stewart. Photographed by Quinton F. Davis'. More
Sydney, The Shepherd Press, [1945]. Number 376 of 1000 copies with the artist's signature in facsimile. This copy is inscribed 'Because Lois is beautiful this is her book, from Bill Rodie, 4-iii-49'. Bill Rodie wrote a gossip and scandal column ('Bill Rodie Presents Real Life') in the Sydney 'Daily Telegraph'..... More
Sydney, The Shepherd Press, [1945]. Number 937 of 1000 copies. More
Sydney, Angus and Robertson, 1968 (first edition). Fifty of the sixty reproductions 'have never been published before. The unpublished work comprises fourteen drawings made in 1967-68, with other major works done between 1930 and the 1960s'. Provenance: Professor T.G.H. Strehlow, with his ownership signature ('University of Adelaide, 11th January, 1969')..... More
Sydney, Ure Smith, 1973 [first thus]. This edition is a revised and shortened version of the 1969 book of the same title, which was itself a variant of the 'Norman Lindsay Watercolour Book', published in 1939. More
Sydney, Ure Smith, 1973 [first thus]. This edition is a revised and shortened version of the 1969 book of the same title (itself a variant of the 'Norman Lindsay Watercolour Book', published in 1939). More
Sydney, The Shepherd Press, 1947. More
Adelaide, The Wakefield Press, 1944. Number 107 of only 375 copies of the fourth publication of the Harry Muir's original Wakefield Press - oversubscribed at the time and scarce to this day. More
![Item #127072 Idyllia [verse by Hugh McCrae, illustrated by Norman Lindsay]. Norman LINDSAY, Hugh...](https://treloars.cdn.bibliopolis.com/pictures/127072_01.jpg?width=320&height=427&fit=bounds&auto=webp&v=1656637052)
[Sydney, N.L. Press, 1922]. Number 5 of 133 copies (of which only 100 were for sale to the public) signed by Hugh McCrae. The five original etchings, individually numbered and signed in pencil by Norman Lindsay, are 'What the Deer Said'; 'Robin Hood'; 'Pantera'; 'The Yellow Lady'; and 'The Talking..... More
Sydney, Angus and Robertson, 1979. With the Glen Ralph (Wilmar Library) bookplate. More
Sydney, Angus and Roberston, 1956. Dustwrapper illustration by Norman Lindsay. More
![Item #126797 Tales from the Heptameron of Marguerite of Navarre. [Illustrated with] Twenty-eight...](https://treloars.cdn.bibliopolis.com/pictures/126797_01.jpg?width=320&height=427&fit=bounds&auto=webp&v=1636069330)
Melbourne, Melbourne University Press, 1976 [first edition]. Number 973 of 1000 copies. More
Adelaide, Rigby Limited, 1959. Signed by Harold A. Lindsay on the front free endpaper. 'Two Australian anthropologists, Norman Tindale and Harold Lindsay, making full use of their long study of the subject, have constructed a vivid, fascinating story of these early Maori people of whose later days Melville wrote in..... More